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1 - 246     from DADA to COBRA - WORKS FROM THE LIBRARY of ALDO and HANNIE VAN EYCK

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Page 12 of 13 Results 221 - 240 of 246
83 221 Tajiri S
83 221 Tajiri S
83/ 221 Tajiri, S. Tajiri by Tajiri, a brief account of events from 1923. N.pl., n.publ., (1969), ills., fold. pop-up leporello, selfwrapper.

- Covers trifle spotted.

= Very rare, early publication by Shinkichi Tajiri, published on occasion of an exhibition at the Raadhuis, Heerlen.

€ (50-70) 170
83/222 Tajiri S International exhibition of S F
83/ 222 [Tajiri, S.]. International exhibition of S-F. Venlo, Kultuur Centrum 1967, (16)p. (incl. wr.), photogr. ills., 4to.

= Catalogue of an exhibition organized under supervision of Tajiri, with contributions by various (international) artists. With SIGNED DEDICATION "For Hanni [sic] and Aldo, Best, Shinkichi".

Tajiri. Arnhem, Galerie 20, 1964, (20)p., ills., printed in 1000 copies, orig. wr.

= The 9th volume of a series monographs on contemporary artists publ. by Galerie 20.

AND 3 small exhibition catalogues on the same: 1959 (Hilversum, Steendrukkerij De Jong & Co. Backwr. soiled), 1963 (London, Hamilton Galleries) and 1967 (Amst., Sted. Mus. cat.415).

€ (60-80)
83/223 Tajiri S Ronin Werk van Shinkichi Tajiri Ed N Kemmerling
83/ 223 [Tajiri, S.]. Ronin. Werk van Shinkichi Tajiri. Ed. N. Kemmerling. Venlo, Mus. van Bommel van Dam, 2000, 64p., col. ills., printed in 500 copies, orig. felt over boards.

= With ms. SIGNED DEDICATION by the artist: "for Hannie. Love, Shinkichi".

€ (40-60) 40
83/224 Tajiri S Tajiri Drawings & Sculpture 1954 1964
83/224 Tajiri S Tajiri Drawings & Sculpture 1954 1964
83/ 224 [Tajiri, S.]. Tajiri. Drawings & Sculpture 1954-1964. Copenhagen, American Art Gallery, 1964, (4)p., ills., loose in orig. wr., square 8vo.

- Wrappers foxed.

= With AUTOGRAPH SIGNED DEDICATION: "It's been giggles but we look forward to getting back to Baarlo and our real work - Best wishes to you and Hanni [sic] - Love Shinkichi / Ferdi".

Tajiri sculptures. Amst., Sted. Mus. cat.232, 1960, (8),16p., ills., orig. stiff paper wr., 4to.

= Catalogue of the exhibition which was designed by Aldo van Eyck.

AND 3 small exhibition catalogues on the same: 1963 (Tokyo, Tokyo Gallery. Foxed), 1967 (Amst., Sted. Mus. cat.415) and an undated cat. for an exhib. together with Hope Manchester (n.pl.).

€ (80-100) 110
83/225 Testimony against Gertrude Stein
83/225 Testimony against Gertrude Stein
83/225 Testimony against Gertrude Stein
83/ 225 Testimony against Gertrude Stein. The Hague, Servire Press, February 1935, 16p., selfwrapper.

- Some sl. foxing (first and last page more heavily and partly yellowed).

= Transition Pamphlet no.1, published as a supplement to Transition no.23. Contains short texts by Georges Braque, Eugene Jolas, Maria Jolas, Henri Matisse, Andre Salmon and Tristan Tzara, contesting the way they are portrayed in Gertude Stein's The Autobiography of Alice B. Toklas.

ADDED: Giedion-Welcker, C. (ed.). In Memoriam James Joyce. Zürich, Fretz & Wasmuth Verlag, 1941, 1st ed., 55p., 2 plates, 2 facs. ills., orig. wr.

- Yellowed. Wrappers partly yellowed; frontwr. some sm. (water)stains; backstrip darkened and rubbed.

€ (30-50) 50
83/226 Tinguely J Forum orgaan van het genootschap Architectura et Amicitia Year XXIV no 2 Ed A Beeke G Bekaert a o
83/226 Tinguely J Forum orgaan van het genootschap Architectura et Amicitia Year XXIV no 2 Ed A Beeke G Bekaert a o
83/ 226 [Tinguely, J.]. Forum - orgaan van het genootschap Architectura et Amicitia. Year XXIV, no.2. Ed. A. Beeke, G. Bekaert a.o. Amst., Genootschap Architectura et Amicitia, 1973, large fold. stiff paper leaf (60x93 cm. unfold.) w. loosely inserted fold. textleaf and 72 loosely inserted (photogr.) plates, facs. documents, broadsheets etc. on 70 lvs., various sizes and various kinds of paper.

- The folded "wrapper" sl. darkened/ dustsoiled on one fold. A few inserts yellowed and occas. w. sm. marginal tear or fold.

= Rare complete issue of this special issue devoted to the activities of Jean Tinguely "that deals more than the rest with the most direct and active engagement of the public. Comparable work by Niki de Saint Phalle and other friends is also mentioned" (introd.).

€ (60-80) 90
83 227 Transition no 4 6 / An International Quarterly for Creative Experiment no 18 / An International Workshop for Orphic Creation no 21 22 / An Intercontinental Workshop
83 227 Transition no 4 6 / An International Quarterly for Creative Experiment no 18 / An International Workshop for Orphic Creation no 21 22 / An Intercontinental Workshop
83/ 227 Transition (no.4, 6) / (...) An International Quarterly for Creative Experiment (no.18) / (...) An International Workshop for Orphic Creation (no.21, 22) / (...) An Intercontinental Workshop for Vertigralist Transmutation (no. 23) / (...) A Quarterly Review (no.25). Ed. E. Jolas. Paris/ The Hague/ New York, Shakespeare and Co./ The Servire Press/ Transition, 1927-1936, 7 vols., plates, ills., orig. wr., i.a. by Kurt SCHWITTERS (no.18), Hans ARP (no.21), Sophie TAEUBER-ARP (no.22), Juan MIRÓ (no.25), various 8vo sizes.

- No.6 lacks p.81-106. All yellowed. Wrappers (sl.) dustsoiled and occas. worn; the first 3 issues wr. (sl.) frayed (no.18 badly frayed); a few spine-ends (sl.) dam.

= Important and influential magazine, of which 25 issues were published between 1927-1938, featuring almost every avant-garde writer of the period, i.a. various episodes of James Joyce's "Work In Progress", which later would become Finnegans Wake. No.18 and 23 w. the orig. (sl. frayed and dustsoiled) leaflet advertising the contents of the issue loosely inserted. Le Fonds Paul Destribats 267.

€ (200-300) 230
83 228 Tzara T
83 228 Tzara T
83 228 Tzara T
83 228 Tzara T
83/ 228 Tzara, T. Cinéma calendrier du coeur abstrait/ Maisons. Paris, Au Sans Pareil, 1920, (40)p., 19 woodcut plates by Hans ARP, printed in 150 numb. copies on heavy handmade Nuremburg paper with the watermark "Giorgio Adamo Beckh in Norimberga" (this copy no."93"), signed by the author and artist, orig. plain boards, 4to.

- Some foxing (incl. binding). Upper joint broken and (sl. dam.) backstrip partly loosening.

= Collection Dada. The title-part of the orig. wrap-around slip tipped-onto the first free endpaper. With AUTOGRAPH SIGNED DEDICATION by Hans Arp: "A mon cher ami Van Eyck, Paris 6/11/45, Jean Arp". Monod 10792; Bolliger II, 41 ("Typographie und Illustration ergeben eine seltene Einheit. Ein zu wenig beachtetes Buch, das verdient, zu den besten der illustrierten Werke unseres Jahrhunderts gezählt zu werden"); III, 74;

€ (6.000-8.000) 6000
83 229 Tzara T
83 229 Tzara T
83 229 Tzara T
83 229 Tzara T
83/ 229 Tzara, T. De nos oiseaux. Paris, Editions Kra, (1929), 118p., 10 full-p. ills. by Hans ARP, orig. wr.

- Corners sl. bumped; wrappers dustsoiled; backstrip browned and sl. worn at ends.

= Re-issue of the first edition (published 1923: Monod 10795; Bolliger II, no.42).

€ (150-250) 160
83 230 Tzara T
83/ 230 Tzara, T. La face intérieure. Paris, Seghers, 1953, 1st ed., 58,(4)p., printed in 800 numb. copies (no."381" of 750), orig. wr. by Fernand LÉGER.

= Monod 10798.

€ (30-50) 30
83 231 Tzara T
83 231 Tzara T
83/ 231 Tzara, T. L'homme approximatif. Paris, Éditions Fourcade, 1931, 1st ed., 158,(5)p., printed in 510 copies (500), orig. wr., 4to.

- Backstrip and margins of wrappers browned; spine-ends sl. dam.

= Monod 10800. With AUTOGRAPH SIGNED DEDICATION: "à madame H. van Eyck, l'oeil toujours neuf au retour des choses, de tout [sm. drawing of a heart] Tristan TZARA, Paris le 23 Nov. 1949 [sm. drawing of a flower]".

€ (200-300)
83 232 Tzara T
83 232 Tzara T
83/ 232 Tzara, T. La main passé. Paris, Éditions G.L.M., 1935, 1st ed., (34)p., printed in 300 numb. copies (no."177" of 280), orig. wr.

- Backstrip sunned and dam.; frontwr. w. sm. tear near spine; backwr. vague waterstain in lower corner.

= With AUTOGRAPH SIGNED DEDICATION: "A van Eyck [printed htitle: La main passé] Dada reste, et l'amitié de Tristan TZARA, Zurich le 24.II.46 [sm. drawing of a flower]".

€ (100-150)
83 233 Tzara T
83 233 Tzara T
83 233 Tzara T
83/ 233 Tzara, T. Ramures. Paris, Éditions G.L.M., 1936, 1st ed., (15)p., 1 full-p. ill. by Alberto GIACOMETTI, printed on "normandy vellum" in 70 numb. copies signed by the publisher Guy Lévis Mano (this copy no."33"), in lvs. as issued in orig. wr., 4to.

- Spine and frontwr. along upper and fore-edge margin (sl.) sunned.

= Repères 11. Not in Monod. With AUTOGRAPH SIGNED DEDICATION: "à van Eyck amicalement TZARA, Zurich le 24. fevr. 46 [sm. drawing of a flower]".

€ (800-1.000)
83 234 Tzara T
83 234 Tzara T
83/ 234 Tzara, T. Vingt-cinq-et-un poèmes. (Paris), Éditions de la Revue Fontaine, 1946, 63,(5)p., 12 full-p. ills. by Hans ARP, printed in 775 numb. copies (150), orig. wr.

- Top of spine sl. dam. w. stain of former repair w. sellotape extending onto corners of wr. Otherwise fine.

= Monod 10818. One of 150 copies on Alfa (this copy no."117"). The enlarged (in part first edition) reprint of the 1918 edition published in the Zürich 'Dada' collection.

€ (100-150)
83 235 Tzara T
83 235 Tzara T
83/ 235 Tzara, T. Où boivent les loups. Paris, Éditions des Cahiers Libres, 1932, 1st ed., 173,(2)p., printed in 1010 numb. copies (no."651" of 1000), orig. wr.

- Interior trifle yellowed. Backstrip w. sm. rubbed spot (form former ticket?). Otherwise fine.

= Monod 10807. With AUTOGRAPH SIGNED DEDICATION on htitle: "à van Eyck avec le souvenir de Zurich. [sm. drawing of a pointing hand] Tristan TZARA 24[?] févr. 46 [sm. drawing of a flower]".

Idem. L'Antitête. Ibid., idem, 1933, 1st ed., 189,(1)p., printed in 1215 numb. copies (no."43" of 1200), orig. wr.

- Interior yellowed. Backstrip w. sm. rubbed spot (from former ticket?). Otherwise fine.

€ (150-250)
83/236 Verve The French Review of Art Vol II no 5/6
83/236 Verve The French Review of Art Vol II no 5/6
83/ 236 Verve. The French Review of Art. Vol. II, no.5/6. Paris, Verve, n.d. (1940), 134,(44)p., 16 (col.) lithogr. plates after Constantin GUYS, Georges BRAQUE, Georges ROUAULT, André DERAIN, Fernand LÉGER, Pierre BONNARD, Henri MATISSE and Paul KLEE, photogr. plates/ ills. i.a. by Herbert LIST, BRASSAÏ and Henri CARTIER-BRESSON, num. (col.) (tipped-in) plates/ ills., orig. col. lithogr. wr. by Aristide MAILLOL, folio.

- Part of the col. lithographs loose. Backstrip cracking and sl. waterstained (extending onto margins of wr.).

= Contains literary contributions by i.a. A. Gide, A. Jarry and H. Michaux.

AND an incomplete copy of the same periodical, vol.I, no.3 (1938), w. 2 col. lithogr. plates by Marc CHAGALL and Paul KLEE, orig. col. lithogr. wr. by P. BONNARD, folio (plates loose; lacks the plates by Joan MIRÓ and Abraham RATTNER).

€ (120-150) 230
83 237 Vinkenoog S ed
83 237 Vinkenoog S ed
83 237 Vinkenoog S ed
83/ 237 Vinkenoog, S. (ed.). Atonaal. Bloemlezing uit de gedichten van Hans Andreus - Remco Campert - Hugo Claus (...). The Hague, A.A.M. Stols, 1951, 1st ed., 104,(3)p., ills. by Karel APPEL and CORNEILLE, orig. cl. w. dustwr. by Jan ROËDE, with the orig. wrap-around slip "Atonaal - elf dichters (...)".

- Some sl. occas. foxing (mainly edges). Dustwr. sl. yellowed and backstrip darkened.

= Slagter 19; Van Dijk 878. Unique copy, with 13 pages coloured/ decorated with watercolour by CORNEILLE; with AUTOGRAPH SIGNED DEDICATION by the artist in the colophon: "voor Aldo en Hanny ge-experimentaliseerd door Corneille, Augustus 1952".

€ (400-600) 2750
83 238 Visser C
83/ 238 Visser, C. Enige opmerkingen over mijn beelden. Amst., Stichting één op één, 1987, (31p)., facs. text and ills., orig. wr., 4to.

- Frontwr. some sm. stains. = With AUTOGRAPH SIGNED DEDICATION "voor Aldo en Hannie. 20 maart 1988. [sign.]".

Carel Visser. Ed. R.W.D. Oxenaar. Hilv., Steendrukkerij de Jong, 1968, (64)p., ills., typogr. by P. Brattinga, orig. plain wr., narrow sm. folio.

= Catalogue for the XXXIV Biennale Venice.

AND 6 other small exhib. catalogues on the same: 1975 (Eind., Van Abbemus.), 1978 (Amst., Sted. Mus.), 1978 (London etc., Whitechapel Art Gallery a.o. Wrappers foxed), 1979 (Gron., Groninger Mus. Wrappers foxed), 1985 (Heerlen etc., Sikkens) and 1986 (Amst., Prins Bernhard Fonds; David Roëll-prijs).

€ (80-100)
83 239 Visser C
83 239 Visser C
83/ 239 Visser, C. Heen en weer. 12 gedichten Aletta A. Samuels / 12 houtsneden Carel Visser. Amst., Galerie Espace, n.d., 12 fold. lvs. of thin Japanese paper (20x60 cm. unfold.), all w. on the inside an orig. woodcut by Carel VISSER on the left and a printed poem by Aletta A. SAMUELS (typogr. in "letraset" by the artist) on the right side, each in separate stiff paper folder, numb. "I-XII" in pencil, printed in 50 numb. copies by Piet Clement, together in orig. board portfolio w. printed title on frontcover and ms. colophon by the artist on the inside, obl. sm. folio.

- Frontcover of portfolio stained.

= This copy numbered "3 H.S." and with SIGNED DEDICATION by the artist on the inside of the portfolio: "voor Aldo, van Carel, Greetje".

€ (150-250) 300
83 240 Vordemberge Gildewart F
83 240 Vordemberge Gildewart F
83/ 240 Vordemberge-Gildewart, (F.). Vordemberge-Gildewart. Époque néerlandaise. Introd. J. Arp. Amst., Éditions Duwaer, 1949, without pagination, 8 photogr. plates, 26 tipped-in (col.) plates (1 fold.), printed in 300 numb. copies (this copy no."282"), loose as issued in orig. stiff paper wr., folio.

- Wrappers partly trifle yellowed and bumped/ sl. dam. at foot of spine.

= With the artist's visiting card w. autogr. "With compliments" mounted on inside frontwr. The second and final work published in the series Editions Duwaer. Rattemeyer/ Helms T 444: " (...) Geplant als Dokumentation einer Schaffensperiode, in der Vordemberge-Gildewart von der Außenwelt nahezu abgeschlossen war, konnte das Album doch erst mit der Aufhebung dieser künstlerischen Isolation erscheinen. V.-G. hat die ungehefteten Bildtafeln im Album auch als Material für Ausstellungen angesehen, Ersatzausstellungen (...). Er hatte sein Werk im Album inszeniert. (...)". With loosely inserted a small exhibition cat. Vordemberge-Gildewart, Werke aus den Jahren 1923-1954 (Ulm, 1955, ills. Foxed).

€ (200-300) 350
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