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1 - 246     from DADA to COBRA - WORKS FROM THE LIBRARY of ALDO and HANNIE VAN EYCK

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83 41 Bauhausbücher  Gropius W  ed
83/ 41 [Bauhausbücher]. Gropius, W. (ed.). Internationale Architektur. Munich, A. Langen, (1927), 2nd rev., 111p., num. ills., typography and orig. cl. by László MOHOLY-NAGY.

- Without dustwr.; covers sl. (dust)soiled; spine-ends sl. worn.

= Bauhausbücher 1. Passuth p.52-54; Bolliger I, 34 and IV, 10a (both 1st ed.).

€ (200-300) 220
83 42 Bauhausbücher  Gropius W  ed
83 42 Bauhausbücher  Gropius W  ed
83 42 Bauhausbücher  Gropius W  ed
83/ 42 [Bauhausbücher]. Gropius, W. (ed.). Internationale Architektur. Munich, A. Langen, (1927), 2nd rev., 111p., num. ills., typography and orig. cl. by L. MOHOLY-NAGY.[*]

- Without dustwr.; contents trifle waterwrinkled along outer edge; owner's entry on title-p. Covers trifle fingersoiled along margins. Otherwise a fine copy.

= Bauhausbücher 1. Passuth p.52-54; Bolliger I, 34 and IV, 10a (both 1st ed.).

€ (150-250) 150
83 43 Bauhausbücher  Gropius W  introd
83 43 Bauhausbücher  Gropius W  introd
83 43 Bauhausbücher  Gropius W  introd
83 43 Bauhausbücher  Gropius W  introd
83/ 43 [Bauhausbücher]. Gropius, W. (introd.). Neue Arbeiten der Bauhauswerkstätten. Munich, A. Langen, (1925), 1st ed., 115,(1)p., num. (col.) ills., typography and orig. cl. by L. MOHOLY-NAGY.[*]

- Without dustwr.; traces of erased (owner's entry on title-p. and verso of htitle. Sm. stain from former ticket in upper outer corner of frontcover; covers trifle foxed and sl. fingersoiled; backstrip restored.

= Bauhausbücher 7. Passuth p.52-54; Bolliger I, 36; II, 23 and IV, 10f.

€ (150-250) 150
83 44 Bauhausbücher  Kandinsky W
83 44 Bauhausbücher  Kandinsky W
83/ 44 [Bauhausbücher]. Kandinsky, W. Punkt und Linie zu Fläche. Beitrag zur Analyse der malerischen Elemente. Munich, A. Langen, (1928), 2nd ed., 190,(6)p., 1 col. plate, 127 plates/ ills., typography by Herbert BAYER, orig. cl.

- Binding sl. dustsoiled; backstrip sl. browned and trifle worn at spine-ends.

= Bauhausbücher 9. Fleischmann p.158; Lang p.123; Lupton p.128f (1st ed., 1926).

€ (300-500) 325
83 45 Bauhausbücher  Klee P
83 45 Bauhausbücher  Klee P
83/ 45 [Bauhausbücher]. Klee, P. Pädagogisches Skizzenbuch. Munich, A. Langen, 1925, 1st ed., 50,(2)p., 87 ills. by Paul KLEE, typography and orig. cl. by László MOHOLY-NAGY.

- Trifle foxed. Without dustwr.; covers sl. (dust)soiled; backstrip faded; spine-ends sl. worn.

= Bauhausbücher 2. Passuth p.52-54; Fleischmann p.154; Bolliger I, 35: "Die seltene erste Ausgabe der pädagogischen Schriften des Künstlers. Die 'Ursprüngliche Grundlage zu einem Teil des theoretischen Unterrichtes am Staatlichen Bauhaus in Weimar'"

€ (200-300)
83 46 Bauhausbücher  Malewitsch K
83 46 Bauhausbücher  Malewitsch K
83/ 46 [Bauhausbücher]. Malewitsch, K. Die gegenstandslose Welt. German transl. A. von Riesen. Munich, A. Langen, (1927), 104p., 92 ills., typography and orig. cl. by László MOHOLY-NAGY, orig. cl.

- Binding dustsoiled; spine split on joints and backstrip loose and sl. worn at spine-ends.

= Bauhausbücher 11. Fleischmann p.169; Lupton p.131.

€ (80-100) 150
83 47 Bauhausbücher  Moholy Nagy L
83 47 Bauhausbücher  Moholy Nagy L
83 47 Bauhausbücher  Moholy Nagy L
83 47 Bauhausbücher  Moholy Nagy L
83/ 47 [Bauhausbücher]. Moholy-Nagy, L. Malerei, Photographie, Film. Munich, A. Langen, 1925, 1st ed., 133,(1)p., 1 fold. plate, 100 (photogr.) ills. by i.a. RENGER-PATZSCH, MOHOLY-NAGY, MAN RAY, HANNAH HÖCH and PAUL CITROEN, typography and orig. cl. by L. MOHOLY-NAGY.[*]

- Lacks backstrip; covers foxed/ spotted.

= Bauhausbücher 8. Lang 84; Parr/ Badger p.92: "The book, published in 1925, was immediately successful and highly influential (...). In this theoretical treatise in text and pictures Moholy-Nagy condemns the subjectivity of pictorialism (...), and sets out the framework of what he calls the 'New Vision', featuring his own work and that of others".

€ (400-600) 400
83 48 Bauhausbücher  Moholy Nagy L
83 48 Bauhausbücher  Moholy Nagy L
83/ 48 [Bauhausbücher]. Moholy-Nagy, L. Von Material zu Architektur. Munich, A. Langen, 1929, 241,(2)p., 209 ills., typography by László MOHOLY-NAGY, contemp./ sl. later plain cl.

- Lacks htitle. Backstrip discol.

= Bauhausbücher 14. Bolliger I, 43; IV, 11 and VI, 72: "Das letzte und eines der seltensten Bauhaus-Bücher. Eine Sammlung von Vorträgen Moholys während der Lehrzeit am Bauhaus 1923-1928. Themen: Erziehungsfragen. - Das Material. - Das Volumen (Plastik). - Der Raum (Architektur)."

€ (200-300) 200
83 49 Bauhausbücher  Mondrian P
83 49 Bauhausbücher  Mondrian P
83/ 49 [Bauhausbücher]. Mondrian, P. Neue Gestaltung. Neoplastizismus. Nieuwe Beelding. Munich, A. Lange, n.d. (1925), 1st ed., 66,(2)p., typography and orig. wr. by László MOHOLY-NAGY.

- Htitle sm. brown stain in blank fore-edge margin. Spine-ends w. tiny chip. Fine copy; the fragile wr. near perfect.

= Bauhausbücher 5. Passuth p.52-54; Fleischmann p.157; Bolliger VI, 73: "Die grundlegenden theoretischen Schriften Mondrians in erster deutscher Übertragung von Max Burchartz und Rudolf F. Hartogh".

€ (800-1.000) 2300
83 50 Bauhausbücher  Schlemmer O a o
83 50 Bauhausbücher  Schlemmer O a o
83/ 50 [Bauhausbücher]. Schlemmer, O. a.o. Die Bühne im Bauhaus. Munich, A. Langen, 1924, 1st ed., 84,(4)p., 1 fold. col. plate, num. ills., typography by László MOHOLY-NAGY, orig. wr. by Oskar SCHLEMMER.

- Some sl. occas. foxing. Wr. dustsoiled; backstrip and adjoining margin of frontwr. w. sellotape stain; wr. sl. frayed and splitting on folds of flaps.

= Bauhausbücher 4. Passuth p.52-57; Fleischmann p.156; Bolliger VI, 75: "Grundlegendes Werk zum modernen Theater". Contains contributions by Oskar Schlemmer, L. Moholy-Nagy and Farkas Molnár.

€ (300-500) 425
83 51 Bill M
83 51 Bill M
83 51 Bill M
83/ 51 Bill, M. 10 original-lithos. Zurich, Allianz Verlag, 1941, 9 (of 10) col. lithogr. plates by Max BILL (21x14,5 cm.), all signed on the stone, printed in 100 numb. copies (no."57" of 80), loose as issued in orig. fold. wrapper w. letterpress title and colophon.

- Lacks 1 plate; 4 plates mounted on board; wrapper spliting on folds.

€ (300-500) 375
83 52 Bill M
83/ 52 Bill, M. (Composition with lines). Lithograph, 36x25,5 cm. (leaf), signed, "44" and "20/40" in pencil.

- Sl. age-toned; stained in lower left corner; vague fold in lower right corner; tiny tear in upper margin.

= Verso w. AUTOGRAPH SIGNED DEDICATION in pencil: "für herrn + frau van eyck [? illegible] 1944 [sign.].

€ (150-250) 375
83 53 Bill M
83 53 Bill M
83 53 Bill M
83/ 53 Bill, M. x = x. Zurich, Allianz Verlag, 1942, (4)text lvs. (incl. title and colophon), 10 lithogr. plates by Max BILL, printed in 150 numb. copies (this copy no."149"), bound as a blockbook, orig. clothbacked boards.

- Most lvs. loose (as very often); edges sl. dustsoiled = SIGNED by the author/ artist on prel. leaf.

€ (600-800) 600
83 54 Boccioni U
83 54 Boccioni U
83/ 54 Boccioni, U. Pittura scultura futuriste (dinamismo plastico). Milan, Edizioni Futuriste di "Poesia", 1914, 1st ed., 7th thous., (4),469,(3),(3 publ. cat.)p., photogr. frontisp. portrait, 50 plates, orig. wr.

- Yellowed; partly w. (vague) waterstain in upper corner. Wrappers yellowed and soiled/ sl. stained w. some sm. marginal tears/ chips; backstrip browned and lacking portion at the top.

= Salaris, Bibliografia p.23; Bolliger IV, 18 (6th thous.); VI, 315f. One of the main publications by Futurist artists.

ADDED: G. BALLA, Il tacuino n.3 1912/1915 (Torino, 1994, facs. sketchbook w. accomp. textbooklet, together in orig. wr.

€ (150-250) 180
83/55 Braak Maandelijks cahier voor proza poëzie en critiek No 3 and 5 Ed R Campert R Kousbroek Lucebert and B Schierbeek
83/ 55 Braak. Maandelijks cahier voor proza, poëzie en critiek. No. 3 and 5. Ed. R. Campert, R. Kousbroek, Lucebert and B. Schierbeek. (Amst.), n.publ., 1950, 2 (of 7) vols, ills., orig. wr.

- Both yellowed; no.3 backwr. sm. dam. in upper corner, spine rubbed. No.5 wr. loose and sl. frayed along spine.

= Slagter VII (p.44-47). No.3 contains contributions by i.a. Lucebert (i.a. "De Nederlandse literatuur is dood, lang leve de Nederlandse literacteur", "Poëziezo easy job" and "Hu we wie"), Bert Schierbeek, Rudy Kousbroek, Remco Campert, Gerrit Kouwenaar, Hans Andreus and Hugo Claus, ills. and orig. wr. by LUCEBERT. - WITH a second copy of the issue w. a diff. letterpress frontwr. w. ill. by KAREL APPEL [by Rudy Kousbroek?] (wr. loose); no.5 contains contributions by i.a. Remco Campert, Bert Schierbeek, Lucebert, Simon Vinkenoog, Rudy Kousbroek and Jan Hanlo, printed in black, red and green, ills., orig. wr. by LUCEBERT.

AND 2 other issues of Dutch periodicals: TIJD EN MENS, no.14 (1952, orig. wr. w. ill. by CORNEILLE. Spine dam.) and BARBARBER, no.1 (1958, orig. wr.).

€ (70-90) 140
83 56 Breton A
83 56 Breton A
83 56 Breton A
83 56 Breton A
83/ 56 Breton, A. Manifeste du Surréalisme. Poisson soluble. Nouvelle édition augmentée d'une Préface et de la Lettre aux Voyantes. Paris, Éditions Kra, 1929, 206,(2)p., frontisp. by Max ERNST, orig. wr.

- Browned as usual. Backstrip sunned; very sm. waterstain on frontwr. A very good copy

= Les Documentaires. Monod 1930.

Idem. Situation du surréalisme entre les deux guerres. Paris, Éditions de la Revue Fontine, 1945, 1st ed., (39)p., printed in black and red in 2500 copies, contemp. cl. w. paper letterpiece on spine.

- Yellowed/ browned and sl. brittle (a few lvs. w. tiny tear in blank margin).

€ (70-90) 70
83 57 Breton A
83/ 57 Breton, A. Les Vases communicants. Paris, Cahiers Libres, 1932, 1st ed., 172,(1)p., printed in 2025 numb. copies (no."162" of 2000), orig. lithogr. wr. (partly printed in pink) by Max ERNST.

- Yellowed. Backstrip sl. faded, otherwise fine. = Bolliger II, 101.

€ (80-100) 80
83 58 Breton A and Éluard P
83 58 Breton A and Éluard P
83 58 Breton A and Éluard P
83 58 Breton A and Éluard P
83/ 58 Breton, A. and Éluard, P. L'Immaculée Conception. Paris, Éditions Surréalistes, 1930, 1st ed., 124,(5)p., title-vignette (repeated on frontwr.) by Salvador DALÍ, printed in 2116 numb. copies (no."1304" of 2000), orig. wr., large 8vo.

- Foxed. Wrappers sunned along margins and frayed/ worn along margins; backwr. sm. stain and (vague) fold in corners; backstrip sunned, sl. worn and splitting at spine-ends.

= Bolliger II. 104 ("Das bedeutendste Gemeinschaftswerk des beiden Dichter und eines der Hauptwerke des Surrealismus").

Breton, A. Nadja. Paris, Gallimard, 1945, 9th ed., 215,(4)p., 44 plates, orig. wr.

- Yellowed. Foot of spine sl. worn.

ADDED: Littérature. Year 2, no.17. Ed. L. Aragon, A. Breton and P. Soupault. Paris, n.publ., 1920, 23,(1)p., orig. wr.

- Yellowed. Wrappers loose and badly dam..

= Le Fonds Paul Destribats 114. Important literary avant garde periodical. Contains contributions by i.a. Louis Aragon, André Breton, Pierre Drieu la Rochelle, Paul Eluard and Tristan Tzara.

€ (70-90) 100
83 59 Bryen C
83 59 Bryen C
83 59 Bryen C
83/ 59 Bryen, C. Expériences. Paris, L'Équerre, 1932, 1st ed., 30,(2)p., 2 plates by Manon THIÉBAUT, 6 plates and various facs./ ills. by the author, printed in 501 numb. copies (no."391" of 450), orig. wr.

- Wr. sl. yellowed; without the mounted ill. on frontwr.

= Monod 2039. With AUTOGRAPH SIGNED DEDICATION "Pour Van Eyck bien sympathiquement ces [printed: Experiences] retrouvées. Camile Bryen Dec 49[?]".

€ (40-60)
83 60 Bryen C
83 60 Bryen C
83 60 Bryen C
83 60 Bryen C
83 60 Bryen C
83/ 60 Bryen, C. Temps troué. Paris, Le soleil noir, 1951, 1st ed., 38,(3)p., 6 woodcuts, 1 photocollage plate and 2 "dessins palingénésiques" by Hans ARP, printed in 320 numb. copies (no."253" of 300), loose as issued in orig. wr.

- Wr. sl. yellowed; backstrip sl. browned and rubbed on joints.

= Monod 2043. With AUTOGRAPH SIGNED DEDICATION "Pour Ado [sic] van Eyck et sa femme, sympathiquement les temps troué, Bryen".

€ (400-600)
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