1 - 246 from DADA to COBRA - WORKS FROM THE LIBRARY of ALDO and HANNIE VAN EYCK
- Without dustwr.; covers sl. (dust)soiled; spine-ends sl. worn.
= Bauhausbücher 1. Passuth p.52-54; Bolliger I, 34 and IV, 10a (both 1st ed.).
- Without dustwr.; contents trifle waterwrinkled along outer edge; owner's entry on title-p. Covers trifle fingersoiled along margins. Otherwise a fine copy.
= Bauhausbücher 1. Passuth p.52-54; Bolliger I, 34 and IV, 10a (both 1st ed.).
- Without dustwr.; traces of erased (owner's entry on title-p. and verso of htitle. Sm. stain from former ticket in upper outer corner of frontcover; covers trifle foxed and sl. fingersoiled; backstrip restored.
= Bauhausbücher 7. Passuth p.52-54; Bolliger I, 36; II, 23 and IV, 10f.
- Binding sl. dustsoiled; backstrip sl. browned and trifle worn at spine-ends.
= Bauhausbücher 9. Fleischmann p.158; Lang p.123; Lupton p.128f (1st ed., 1926).
- Trifle foxed. Without dustwr.; covers sl. (dust)soiled; backstrip faded; spine-ends sl. worn.
= Bauhausbücher 2. Passuth p.52-54; Fleischmann p.154; Bolliger I, 35: "Die seltene erste Ausgabe der pädagogischen Schriften des Künstlers. Die 'Ursprüngliche Grundlage zu einem Teil des theoretischen Unterrichtes am Staatlichen Bauhaus in Weimar'"
- Binding dustsoiled; spine split on joints and backstrip loose and sl. worn at spine-ends.
= Bauhausbücher 11. Fleischmann p.169; Lupton p.131.
- Lacks backstrip; covers foxed/ spotted.
= Bauhausbücher 8. Lang 84; Parr/ Badger p.92: "The book, published in 1925, was immediately successful and highly influential (...). In this theoretical treatise in text and pictures Moholy-Nagy condemns the subjectivity of pictorialism (...), and sets out the framework of what he calls the 'New Vision', featuring his own work and that of others".
- Lacks htitle. Backstrip discol.
= Bauhausbücher 14. Bolliger I, 43; IV, 11 and VI, 72: "Das letzte und eines der seltensten Bauhaus-Bücher. Eine Sammlung von Vorträgen Moholys während der Lehrzeit am Bauhaus 1923-1928. Themen: Erziehungsfragen. - Das Material. - Das Volumen (Plastik). - Der Raum (Architektur)."
- Htitle sm. brown stain in blank fore-edge margin. Spine-ends w. tiny chip. Fine copy; the fragile wr. near perfect.
= Bauhausbücher 5. Passuth p.52-54; Fleischmann p.157; Bolliger VI, 73: "Die grundlegenden theoretischen Schriften Mondrians in erster deutscher Übertragung von Max Burchartz und Rudolf F. Hartogh".
- Some sl. occas. foxing. Wr. dustsoiled; backstrip and adjoining margin of frontwr. w. sellotape stain; wr. sl. frayed and splitting on folds of flaps.
= Bauhausbücher 4. Passuth p.52-57; Fleischmann p.156; Bolliger VI, 75: "Grundlegendes Werk zum modernen Theater". Contains contributions by Oskar Schlemmer, L. Moholy-Nagy and Farkas Molnár.
- Lacks 1 plate; 4 plates mounted on board; wrapper spliting on folds.
- Sl. age-toned; stained in lower left corner; vague fold in lower right corner; tiny tear in upper margin.
= Verso w. AUTOGRAPH SIGNED DEDICATION in pencil: "für herrn + frau van eyck [? illegible] 1944 [sign.].
- Most lvs. loose (as very often); edges sl. dustsoiled = SIGNED by the author/ artist on prel. leaf.
- Yellowed; partly w. (vague) waterstain in upper corner. Wrappers yellowed and soiled/ sl. stained w. some sm. marginal tears/ chips; backstrip browned and lacking portion at the top.
= Salaris, Bibliografia p.23; Bolliger IV, 18 (6th thous.); VI, 315f. One of the main publications by Futurist artists.
ADDED: G. BALLA, Il tacuino n.3 1912/1915 (Torino, 1994, facs. sketchbook w. accomp. textbooklet, together in orig. wr.
- Both yellowed; no.3 backwr. sm. dam. in upper corner, spine rubbed. No.5 wr. loose and sl. frayed along spine.
= Slagter VII (p.44-47). No.3 contains contributions by i.a. Lucebert (i.a. "De Nederlandse literatuur is dood, lang leve de Nederlandse literacteur", "Poëziezo easy job" and "Hu we wie"), Bert Schierbeek, Rudy Kousbroek, Remco Campert, Gerrit Kouwenaar, Hans Andreus and Hugo Claus, ills. and orig. wr. by LUCEBERT. - WITH a second copy of the issue w. a diff. letterpress frontwr. w. ill. by KAREL APPEL [by Rudy Kousbroek?] (wr. loose); no.5 contains contributions by i.a. Remco Campert, Bert Schierbeek, Lucebert, Simon Vinkenoog, Rudy Kousbroek and Jan Hanlo, printed in black, red and green, ills., orig. wr. by LUCEBERT.
AND 2 other issues of Dutch periodicals: TIJD EN MENS, no.14 (1952, orig. wr. w. ill. by CORNEILLE. Spine dam.) and BARBARBER, no.1 (1958, orig. wr.).
- Browned as usual. Backstrip sunned; very sm. waterstain on frontwr. A very good copy
= Les Documentaires. Monod 1930.
Idem. Situation du surréalisme entre les deux guerres. Paris, Éditions de la Revue Fontine, 1945, 1st ed., (39)p., printed in black and red in 2500 copies, contemp. cl. w. paper letterpiece on spine.
- Yellowed/ browned and sl. brittle (a few lvs. w. tiny tear in blank margin).
- Foxed. Wrappers sunned along margins and frayed/ worn along margins; backwr. sm. stain and (vague) fold in corners; backstrip sunned, sl. worn and splitting at spine-ends.
= Bolliger II. 104 ("Das bedeutendste Gemeinschaftswerk des beiden Dichter und eines der Hauptwerke des Surrealismus").
Breton, A. Nadja. Paris, Gallimard, 1945, 9th ed., 215,(4)p., 44 plates, orig. wr.
- Yellowed. Foot of spine sl. worn.
ADDED: Littérature. Year 2, no.17. Ed. L. Aragon, A. Breton and P. Soupault. Paris, n.publ., 1920, 23,(1)p., orig. wr.
- Yellowed. Wrappers loose and badly dam..
= Le Fonds Paul Destribats 114. Important literary avant garde periodical. Contains contributions by i.a. Louis Aragon, André Breton, Pierre Drieu la Rochelle, Paul Eluard and Tristan Tzara.
- Wr. sl. yellowed; without the mounted ill. on frontwr.
= Monod 2039. With AUTOGRAPH SIGNED DEDICATION "Pour Van Eyck bien sympathiquement ces [printed: Experiences] retrouvées. Camile Bryen Dec 49[?]".
- Wr. sl. yellowed; backstrip sl. browned and rubbed on joints.
= Monod 2043. With AUTOGRAPH SIGNED DEDICATION "Pour Ado [sic] van Eyck et sa femme, sympathiquement les temps troué, Bryen".




















































