1 - 246 from DADA to COBRA - WORKS FROM THE LIBRARY of ALDO and HANNIE VAN EYCK
- Wrappers trifle discol. along spine and margins as usual.
= Slagter 41. Numbered w. a very large "76" and with SIGNED DEDICATION by the artist: "Voor Hannie en Aldo in vriendschap. Amsterdam. december 1954. Corneille." on the colophon.
- Wr. sl. yellowed along margin. = Rare invitation booklet. Cf. Donkersloot-Van den Berghe 123-125.
Corneille. Recent paintings. Ibid., idem, 1967, (8)p., ills., fold. wr. w. 3-panel orig. col. lithograph by CORNEILLE.
- Wr. partly sl. yellowed. = Cf. Donkersloot-Van den Berghe 199.
AND 2 small catalogues on the same for Galerie Colette Allendy (Paris, 1954, ills., printed in 1000 numb. copies (this copy no."12"), orig. wr., sm. 8vo) and Galerie Ariel (Paris, 1961, ills., printed in 1000 numb. copies (this copy no."447"), orig. wr.).
- Wr. sl. yellowed; partly w. vertical middle fold.
= With AUTHOGRAPH SIGNED DEDICATION below the printed title [Corneille - Le labyrinth et l'ordre]: "voor Quint - niet zo heel erg "labyrinthe". Corneille"
Tekeningen van Corneille. Amst., Sted. Mus. cat. 246, 1960, (24)p., ills., orig. wr. by CORNEILLE, 4to.
= Cf. Donkersloot-Van den Berghe 85.
AND 2 other exhibition catalogues of the Stedelijk Museum Amterdam on the same: 1956 (without no. Wrappers foxed) and 1966 (no. 402).
- Spine sunned. Otherwise fine. = Donkersloot-Van den Berghe 165-169.
[Corneille]. Corneille. Gouaches récentes. Ibid., idem, 1962, (15)p., (col.) ills., orig. col. lithogr. wr. by CORNEILLE, printed in 800 copies, 4to
- Wr. trifle yellowed/ foxed. = Donkersloot-Van den Berghe 119.
AND 2 other exhibition catalogues on the same at the same gallery (exhib. together w. WOLS, 1961, ills., orig. wr., 4to) and the Haags Gemeentemus./ Van Abbemus. (The Hague/ Eindh., 1961, ills., orig. (foxed) wr.).
- Sm. marking in ballpoint next to 1 photogr. ill. Otherwise fine.
- Poor copy: badly waterstained throughout w. last 2 lvs. stained from bleeding of backwr.; wrappers loose, w. vague folds and w. marginal damages (backwr. w. sm. hole). Sold w.a.f.
= Bolliger II, 479; III, 149; IV, 341; Raabe 34; Schwarz 32; Le Fonds Paul Destribats 78; Ilk Janco 37. Periodical edited by Tristan Tzara of which a total of 7 issues would be published between 1917-1920.
- A (very) fine copy.
= Bolliger II, 482; III, 153; IV, 345; VI, 751; Raabe 34; Schwarz 32; Le Fonds Paul Destribats 78; Global Avantgarde Switzerland 6; Ilk Janco 37. Double-issue of the periodical edited by Tristan Tzara of which a total of 7 issues would be published between 1917-1920. Contains contributions by i.a. L. Aragon, H. Arp, A. Breton, J. Cocteau, R. Hausmann, F. Picabia and W. Serner (the "Letzte Lockerung manifest").
- Bookblock loose; one leaf (p.77/78) lacks upper half (cut out); owner's entry on title-p. Backstrip lacks portion at foot; frontwr. sl. rubbed and stained.
= Bolliger I, 55 ("Eines der wichtigsten Dokumente der Dadaismus. Enthält die hervorragende "Chronologie zurichoise", ein lückenloser Bericht über die Dada-Bewegung in Zürich von Tristan Tzara (...)"); II, 45; III, 79; IV, 349 and 350; VI, 102; Raabe 141.
- Foxed; wrappers partly yellowed and thumbed. = Rare first French edition. Hoek p.767; Fanelli 192.
Idem. Klassiek - Barok - Modern. Antw./ Amst., "De Sikkel"/ Em. Querido, 1920, 31,(1)p., 16 plates, orig. wr. by TH. VAN DOESBURG.
- Foxed. Wr. soiled; spine pasted over w. sellotape.
= Owner's entry of J.N. van Loghem on title-p. Hoek 647 and p.767; Fanelli 182.
AND 4 others by (1x w. wr. des. by)/ on the same, i.a. De nieuwe beweging in de schilderkunst (Delft, 1917, plates, orig. wr., large 8vo. Foxed; spine-ends dam.) and Drie voordrachten over de nieuwe beeldende kunst (Amst., 1919, ills., orig. boards. Backstrip rubbed; top of spine dam.).
= Cf. Hoek 635b (w. size 8x8 cm.): "In Van Doesburgs nalatenschap bevindt zich een zwart karton waarop elf gedrukte exemplaren van zes verschillende gedrukte monogrammen zijn geplakt (...). Daarbij zijn vier exemplaren van dit monogram, op resp. rood, geel, blauw en zwart papier (...)."
- Backwr. w. large mounted label. Otherwise fine.
= Special commemorative issue on Theo van Doesburg (1883-1931). De 8 en Opbouw, 4-daagsch tijdschrift van de architektengroep "De 8" Amsterdam en "Opbouw" Rotterdam, was the leading periodical of the thirties on functional architecture and related subjects, published 1932-1943. In 1932 Paul Schuitema, who was a member of the architect-group "De Opbouw", created a basic design for the magazine and other designers could then fill in the rest of the cover. Fanelli 231; Maan, Paul Schuitema, p.64.
- Wr. rubbed and sl. creased. = Maan/ Van der Ree '90, p.67. Rare.
- Joints sl. rubbed; edges sl. foxed, occas. extending into blank margin.
= With AUTOGRAPH SIGNED DEDICATION by author and artist: "Pour Aldo van Eyck, moi qui espère te revoir, Amicalement, Dotremont" and "livre malheureusement sans seuil[?], mais vu un seuil[?] à venise dont j'ai fait pour toi la photo. amitiés, Alechinsky 1er Aôut - 61".
- Spine split and pasted over w. sellotape; frontwr. a few folds.
= A collection of aphorisms and wordplay, illustrating Duchamp's verbal witticism, i.a. "My niece is cold because my knees are cold".
- Covers sl. darkened along edges and some whitish specks (backcover worse); backstrip sl. rubbed. Fine interior condition.
= The Ariel Poems 29. One of 400 numb. large-paper copies (this copy no."211") printed on English hand-made paper at the Curwen Press and SIGNED by the author.
- Upper and lower margin and backstrip at spine-ends sl. dustsoiled/ yellowed.
= With AUTOGRAPH SIGNED DEDICATION "pour Monsieur Aldo van Eyck, hommage Paul Eluard".
- Wrappers foxed; top of spine dam. (lacks 1,5 cm. of backstrip).
= Monod 4241. The first title illustrated with collages by Max Ernst, first published in 1922 in a small number of copies (cf. Bolliger IV, 191).
- Partly yellowed. Backstrip and margins of covers (sl.) browned.
= Monod 4219. With MANUSCRIPT SIGNED DEDICATION in red pencil by Max BILL : "an hannie + aldo van eyck mit den allerbesten wünschen für tess. [signed] mai 1945".
Idem. Novembre 1936. N.pl., n.publ., n.d., bifolium, printed on recto only, SIGNED in pencil by the author.
- Trifle dustsoiled/ foxed. = Rare.
- Frontcover yellowed in upper and right margin; backcover sm. stain in upper margin. Otherwise fine.
= Contains "About Max Ernst. At Eye Level. Poems and Comments" and "By Max Ernst. Paramyths. New Poems and Collages).
- Wr. agetoned and sl. dustsoiled; upper joint splitting at top and foot of spine.
= Lissitzky-Küppers no.65; cat. Sprengel Museum Hannover no.72; Andel p.159. The catalogue of the landmark exhibition of Russian art in Berlin and Amsterdam, an event which - along with the Der Sturm exhibition of that year - decisively introduced modern Russian art into the mainstream of Western culture. The catalogue lists all works shown at the exhibition and contains reproductions of a number of these works, i.a. by Malevich, Rodchenko and Tatlin.






































