588 - 1028 FINE and APPLIED ARTS, ART REFERENCE
- Covers foxed. = With autograph signed dedication by the author on first free endpaper.
= With AUTOGRAPH SIGNED DEDICATION by Herman Brood on verso title-p. and w. loosely inserted postcard w. an ORIGINAL DRAWING by the same: "Prachtige boot. Wat nu?" (black felt-tip pen, 10,5x15 cm., signed "Brood '93").
- One wr. sl. loosening. Spine-ends trifle worn.
= With the often lacking original etching loosely inserted (foxed).
ADDED 1 other: A.L. ROMDAHL, Anders Zorn. Som etsare (Stockholm, Kulturhistoriska Förlaget, 1928, 120 plates (incl. frontisp.), orig. (sl. dam.) wr., 4to. Foxed).
- Wr. (finger)soiled and sl. worn along extremities.
= Provenance: the collection of Johan Deumens.
= One of 500 SIGNED and numb. copies. "Deze publicatie verschijnt ter gelegenheid van de tentoonstellingen Aanéén-genaaid beelden en tekeningen (...) en alles is aanéén-genaaid."
= The standard catalogue.
- A few foxed spots on edges bookblock; bookblock shaken.
= One of 98 DELUXE copies on "Featherweight". Contains a catalogue raisonné.
- Fine. = Contains a catalogue raisonné.
= Exposition with international artists such as Ulises Carrion, Yves De Smet, Jan Hendrix, Raul Marroquin, Guido Lippens, and Michael Gibbs. Provenance: the collection of Johan Deumens.
= A rare monthly journal on mail art and ephemeral works published in the late seventies. With contributions by i.a. Bill Gaglione, Jorge Caraballo, G.J. de Rook, Maurizio Nannucci. Provenance: the collection of Johan Deumens.
- Fine.
= Realized as an artists newspaper intended to be hand stamped throughout using original artists stamps by various artists, such as G. Bleus, C. Goulart, R. Peli, K. Groh, L. Patella, and A. Flores. Provenance: the collection of Johan Deumens. SEE ILLUSTRATION PLATE XVI.

































