588 - 1028 FINE and APPLIED ARTS, ART REFERENCE
- Several lvs. filled in and w. a few stamps. Envelope sl. worn and w. one tear.
= Van Dam/ Van Praag 437 ("Familiestamboek").
- Title-p. and wrappers in facsimile.
= Ex/ Hoek p.126f. One of the finest typographic works of Huszár and his "magnum opus" in the large number of designs for the Bruynzeel firm. He used i.a. a photograph by Piet Zwart (on p.68), who succeeded Huszár as home-designer of Bruynzeel (cf. Brentjens ill. 292).
- Both sl. yellowed (incl. wr.). Spine-ends (sl.) dam.
AND 8 others on posters and advertising, w. (col.) plates and ills., all 4to, i.a. Posters & their Designers (1924, 2 copies, in orig. wr. and orig. blindst. giltlettered cl.), Art & Publicity, Fine Printing & Design (1925, orig. wr.), Posters & Publicity (1929, orig. wr. Spine dam., frontwr. loose) and Modern Publicity 1936-1937, 1937-1938 and 1950-1951 (1937-1951, 3 vols., plain cl. w. orig. frontwr. laid down and (2x) orig. cl.), all special issues publ. by THE STUDIO.
- Lacks a few lvs.; lvs. loose. = Remarkable wrapper design.
De Bedrijfsreklame. Officieel orgaan van de Nederlandsche Vereeniging ter bevordering der bedrijfsreklame. Series V, no.5. Amst./ The Hague, De Hooge Brug, 1919, 311-328,(10 advert.)p., 2 tipped-in lithogr. plates and orig. gilt wr. by P.A.H. HOFMAN, ills., 4to.
= This issue of this fascinating periodical entirely on P.A.H. Hofman.
AND 1 program booklet with frontwrapper design by C. JUNG.
= Year 1924, no.4 (Sonderheft: Deutsche Pressen- und bibliophile Reihendrucke); 1925, no. 11-12; 1927, no.11-12; 1932, no. 11-12.
- Perforated hole in lower corner throughout. Sm. ruststain from paperclip near upper inner corner frontcover.
= Very rare promotional leaflet. SEE ILLUSTRATION PLATE XVIII
= Verso mount w. the (vague) address stamp of Piet Zwart in green. PROOF." (...) Wij leveren en monteeren het radiokabelnet in de stad Groningen (...)". Monguzzi p.71; Rattemeyer a.o. p.89. SEE ILLUSTRATION PLATE XV.
- Owner's entry on first free endpaper. Fine copy.
= Tenth volume of the series of trade catalogues for Bruynzeel that were designed by Piet Zwart, the so-called 'blauwe boekjes'. Cf. Huygen p.8f: "Zwart kreeg de opdracht om de maandelijkse vloeibladen te ontwerpen, een reklame-kalenderblad voor alle relaties en personeelsleden van Bruynzeel. (...) Ook andere reklames waren van zijn hand. Daarnaast maakte hij een produktkatalogus die zou uitgroeien tot een reeks van 'blauwe boekjes'; handzame naslagwerkjes op zak-formaat voor bouwer en aannemer in een blauwe kaft".
= One of 35 Roman numb. copies for the artists and collaborators. Provenance: the estate of Constant Anton Nieuwenhuys.
= Provenance: the collection of Johan Deumens.
- Dustwr. partly sunned.
= The standard catalogue raisonné; also containing an essay by Graham Birtwistle, a preface by Enrico Baj and an introd. by Michel Cassé.
Paquet, M. Corneille ou la sensualité du sensible. Paris, Francis Delille, 1988, 137,(20)p., (fold.) (col.) ills., orig. limp boards, 4to.
= With ORIGINAL DRAWING in pen and blue ink of a bird and SIGNED DEDICATION on htitle: "Pour Donata avec mon amitié. Corneille, Bruxelles 17 Avril '88."
AND 2 others on the same, i.a. L. DUPPEN a.o., Corneille. Corneille's weergaloze werkelijkheid (Amstelveen, 1997, num. col. ills., orig. cl. w. dustwr., 4to).
= With ORIGINAL DRAWING and AUTOGRAPH SIGNED DEDICATION by CORNEILLE on title-p. of vol. 2 and loosely added orig. presentation invitation in unif. design.
Maurizi, E. l'Opera grafica di Corneille 1948/1974. Introd. G. Boudaille. Polenza, La Nuova Foglio, 1975, no pagination, num. (col.) ills., orig. plain boards w. dustwr., narrow folio. Restany, P. Corneille. Paris, Éditions Cercle d'Art/ Uniepers, 2003, 303,(1)p., num. (col.) ills., orig. pict. boards, folio. - AND 1 other.
- Occas. trifle foxed. Rebacked w. stiff paper; wr. w. some marginal tears. = Very rare study.
- Bookblock loose; first/ final few textp. (sl.) foxed . Frontwr. corners sl. creased; backstrip dam. at spine-ends.
= Baljeu p. 205; Fanelli 182; Hoek p.767.
AND 5 other (exhibition) catalogues, i.a. Tentoonstelling Pyke Koch, Kor Postma, Karel Willink (Amst., Kunsthandel De Boer, 1930, 3 tipped-in plates, orig. wr., obl. 8vo. Folded once).




































