588 - 1028 FINE and APPLIED ARTS, ART REFERENCE
- Cl. soiled.
- Spines worn/ spllit (covers detached); one wr. frayed/ dam.
= Maan, Paul Schuitema visual organiser: "The Rotterdam Filmliga occupied an important place in the cultural life of the city around 1930. The Dutch Film Liga had been set up in 1927 as a result of the ban on showing the Russian film The Mother by the Russian avant-garde filmmaker Pudovkin in public. The Dutch filmmaker Joris Ivens therefore ran the film at three private showings in Amsterdam. A month later, the Amsterdam Filmliga was an accomplished fact."
- Good set. Wrappers occas. sl./ trifle duststained along margins and spine occas. sl. worn.
= Interesting magazine, edited by i.a. M. ter Braak (until 1932), J. Ivens, H. Scholte and C. van Wessem. Nice (photomontage) wrapper designs by i.a. Cas Oorthuys (all issues of year 7 and 8). Maan, Paul Schuitema visual organiser: "The Rotterdam Filmliga occupied an important place in the cultural life of the city around 1930. The Dutch Film Liga had been set up in 1927 as a result of the ban on showing the Russian film The Mother by the Russian avant-garde filmmaker Pudovkin in public. The Dutch filmmaker Joris Ivens therefore ran the film at three private showings in Amsterdam. A month later, the Amsterdam Filmliga was an accomplished fact."
= Works of art by i.a. Arno Mohr, Frans Masereel and Pablo Picasso.
AND 3 others, i.a. Zwischenruf. Handpressendruck-Zeitung aus dem Druckladen des Gutenberg-Museums Mainz (Mainz, 2008, num. loose letterpress lvs., kept together in orig. cl. portfolio, folio).
- Lacks 1 lithograph.
AND 2 others on the same: R. SCHMÜCKING, Friedlaender. Werkverzeichnis der Radierungen 1973-1976 (Braunschweig, 1977, col. platers, printed in 1100 copies, orig. cl., folio. Lower corner frontcover dam.) and M.-P. FOUCHET (introd.), Johnny Friedlaender. Oevure 1961-1965 (New York, n.d., w. loosely inserted col. lithograph, ills., orig. cl. w. slipcase, folio).
= For the exhibition Electricity held at Ileana Sonnabend in 1966, which featured artworks incorporating electrical elements, in collaboration with i.a. Robert Rauschenberg, Dan Flavin, James Rosenquist, Robert Morris, Jasper Johns and George Segal. Provenance: the collection of Johan Deumens.
= This copy SIGNED by the author and with a loosely inserted ORIGINAL C-PRINT (signed and "13/50" in pencil on verso).
AND 2 others, i.a. A. GEENE and A. DE NOOY, Ornithology (ibid., 2016, 2nd ed., num. (col.) ills., orig. limp boards w. dustwr., 4to).
- Three plates sl. chafed in blank margins. Spins of text vol. sl. dam.; Otherwise fine.
Viollet-le-Duc, E. l'Art Russe. Paris, Vvew A. Morel et Cie, 1877, VIII,261,(3)p., col. lithogr. frontisp., 31 (col. lithogr.)/ steelengr. plates, orig. richly gilt green cl., a.e.g.
- Sl. foxed. Gilt on binding sl. dulled, but still an attractive binding.
AND 1 other: G.K. LOUKOMSKI, l'Architecture religieuse Russe du XIe siècle au XVIIe siècle (Paris, 1929, num. photogr. plates, ills., orig. wr., folio. Traces of ticket at foot of spine).
- Catalogue clipping mounted on first free endpaper. Wrappers partly foxed.
Arp, J. On my way. Poetry and essays 1912...1947. New York, Wittenborn/ Schultz, 1948, 147,(1)p., 2 col. woodcut plates by J. ARP, plates, orig. (foxed) wr.
- Trifle foxed; contents loose(ning). Frontcover loose. = Oudheidkundige bijdragen.






















