1815 - 2226 FINE PRINTING and ILLUSTRATED BOOKS (including CARICATURE)
- Bindings trifle rubbed on edges. A fine set.
= "Reimpression de l'édition de Didot, 1795". The plates partly in two states. This ed. not in Vicaire.
- Bookplate on upper pastedown. Joints and spine-ends rubbed; upper joint splitting at top.
= Monod 6877.
= One of 30 Roman numb. copies w. an extra suite of the woodengravings on Arches and an orig. drawing in pencil.
- Contents fine. Wrappers sl. browned; spine sl. dam.
= Arwas A61-A71; Carteret IV, p.331 ("Belle publication cotée"); Vicaire II, p.1052; Monod 3216; Derra de Moroda 1637. The illustrations show can-can dancers rehearsing classic high kick positions, including 'Le Grand Ecart,' 'Le Croisement,' 'Brisement assis' and 'La jambe derriere la tête'. SEE ILLUSTRATION PLATE XXXVII.
- Joints sl. worn.
- Spine trifle dustsoiled; top edge of slipcase split on sides.
= One of 43 copies on Kaiserlich Japan Bütten.
- Tear in frontwr. ; upper joint spliting and first quire loose.
= This is copy "1", printed for Émile Chamontin, with a suite of the 14 pochoirs AND with an ORIGINAL DRAWING (study for 1 of the pochoirs) by George LEPAPE with autograph signed dedication to Émile Chamontin. Carteret IV, p.258. Not in Monod. These illustrations are based on the 1923 production of the play, for which Lepape was the stage designer. SEE ILLUSTRATION PLATE XXXVII.
- Dam. spot at foot of spine; backstrip repaired; vague waterstain in upper corner of frontcover; tiny foxed spots on both covers. Contents fine. Despite defects, a good/ fine copy.
= Rare. De Bodt/ Kapelle p.45/46 and p.245: "Zij vertelde in haar later uitgegeven herinneringen dat zij de afbeeldingen had 'gebaseerd op het horizontaal-verticaal-diagonaal systeem en getekend op ruitjespapier'." SEE ILLUSTRATION PLATE XXXVIII.
= Including A.L. SNIJDERS, Het meisje van zijn dromen (2020, printed in 35 numb. copies (28). SIGNED on the colophon "AL Snijders schreef dit"); IDEM, Achterstand (2015, printed in approx. 100 copies); N. MIZEE, Syndroom van Grompeldink (2020, printed in 175 copies); F. THOMÈSE, Beste Jan. Bij de viering van de zeventigste verjaardag van Jan Siebelink (2012, printed in 85 numb. copies (60)); "Au gastronome. Zeven gastronomische doodzonden en waarheden" (2018); M. DE VOS, Feuilles Mortes (2020, printed in 15 copies); R. ESCHER, Steen- en staalkanker (Amst., 2017, printed in 8 copies for the members of the printers' collective Crème Fraiche) and A. VISSER, Bladspiegel (2023, print run unknown).
- Bookplate on upper pastedown. Frontcover sl. nibbled on by silverfish. Otherwise fine.
= Very rare DELUXE copy bound in FULL VELLUM w. gilt monogram "JB" on frontcover, t.e.g.
Bredero, G.A. Liefde en Lied./ Zangwijzen met pianobegeleiding. Ed. J.B. Schepers and J. Röntgen. Amst., idem, 1918[=1919]/ 1919, 2 vols., 168,(2); (2),45,(3)p., scores, printed in 250 copies by J. Enschedé en Zonen, orig. (not unif.) hvellum, obl. 8vo.
= The second publication of the Vereeniging Joan Blaeu.
- Fine. = Hofmaier 312-315. Provenance: the collection of Johan Deumens.
= With 2 extra suites of the 47 woodcuts (1 suite printed in sanguine), both suites in orig. wr., together in hvellum chemise and slipcase and w. an extra suite of 11 woodcuts (partly foxed) printed on various kinds of paper. This copy signed in pencil by Maillol on the colophon and numb. "XVIII". Carteret IV, p.243 ("Belle édition très cotée"). Cf. Monod 7238 (identical ed. with English text, London, 1937). SEE ILLUSTRATION PLATE XXXVIII.
- Owner's entry on first free endpaper. Covers chemise and slipcase browned and partly worn along extremities. Otherwise fine.
= WITH an extra lithograph by the same printed on Japanese (some soiling). Copy printed on name of Lucien Maillol and one of 225 numbered copies of a total limited edition of 275 on hand-made "papier spécial pur chanvre" from the Canson et Montgolfier paper mill. Text printed by Pierre Bricage, lithographs printed under the supervision of Fernand Mourlot. All stones were cancelled after printing. Monod 7468. SEE ILLUSTRATION PLATE XXXIX.
- Mint.
= One of the first 10 Roman numb. copies with all lithographs signed and numb. Colophon SIGNED by the artist and the translator. Provenance: the collection of Johan Deumens. SEE ILLUSTRATION PLATE XXXIX.
- Contents fine. Binding-staples rusted, leaving stains. = Rare.
Rogers, C. (ed.) Full and By, Being a Collection of Verses by Persons of Quality in Praise of Drinking. London, William Heinemann, 1925, XXX,(2)153,(1)p., (col.) woodcut ills. and orig. pict. hcl. by E.A. WILSON, folio.
- Contents fine. Binding sl. soiled; spine-ends rubbed.
Stevenson, R.L. A Lowden Sabbath Morn. London, Chatto & Windus, 1898, 1st ed., 124,(4)p., ills. by A.S. BOYD, orig. gilt cl., t.e.g.
- Partly trifle foxed. Binding sl. stained.
AND 4 others.
- Uncut copy.
= The original edition of 10 copies was bound in hvellum; this is one of the extra printed copies in plain wrappers. Nevertheless rare. Van Dijk 677: "Daarnaast blijkt een in verhouding vrij groot aantal gebrocheerde archief-exemplaren in omloop te zijn".
- Fine. = Ritter Ca 33; Vorms/ Von der Gabelentz C33.









































