1815 - 2226 FINE PRINTING and ILLUSTRATED BOOKS (including CARICATURE)
- Fine copy. = Not in Braches (cf. 1379).
Concertgebouw Abonnementsconcerten te 's Gravenhage. Zaterdag 17 November 1906. Tweede Abonnements-Concert onder leiding van den heer Willem Mengelberg. The Hague, Concertgebouw, 1906, 9-20p., lithogr. frontwr. in grey and brown, 20,9x14 cm. (image), "THEO NEUHUYS - LAREN" and "1906" on the stone, letterpress "No. 2" below the image.
= Braches 1508 (Neuhuys III).
AND 4 others designed by the same, i.a. 3 booklets for Abonnements-Concerten, The Hague (i.a. Braches 1484).
- Frontwrapper loose; sl. rubbed along extremities.
= Plaquette no.3. France. Published as a promotional brochure for the Nicolas Wine Merchants with striking Art Deco illustrations of contemporary life. This third vol. is a political and chauvinist argument for French wine versus foreign alcohols, with angry depictions of the political regimes of Germany, Russia, Great Britain and the United States. Oberlé, Bibliothèque Bachique 538.
AND another publ. by the same, illustrated by B. LORJOU.
= One of 6 lettered copies (A-F) printed for the author and artist, this copy numb. "C / F".
Noorman, R. Tourniquets. Ibid., idem, 2009, folder w. colophon leaf and 2 col. lithographs by RONALD NOORMAN, signed and "2009" in pencil, printed in 50 copies, orig. wr., board slipcase, obl. 4to. - AND 1 other: R. DEKKER, Ronald Noorman. Werken op Papier (Amst., 2000, col. ills., orig. wr.).
= One of 50 copies Hors Commerce , printed for "M.F.V. Toussaint van Boelaere", signed by the printer Charles Nypels. Van Laar 15.
AND 2 others, publ. by the same: GOETHE, Trilogie der Leidenschaft (Maastr., 1927, printed in 120 copies (20), orig. wr. One of 20 copies for the printer) and D.G. ROSSETTI, Sonnets and songs towards a work to be called the House of Life (ibid., 1926, woodcut portrait, printed in 200 copies, orig. wr. One of a few copies for private circulation for D. Coster). - ADDED: 3 others, i.a. A. VERWEY, De Weg van het licht (Santpoort, 1922, printed in 200 copies, orig. wr.).
- Some foxing. Binding w. a few rubbed spots.
= Van Laar 9. One of 20 numbered copies bound by JAN WANSINK in giltlettered hleather, t.e.g.
Rossetti, D.G. Sonnets and Songs towards a Work to be called the House of Life. Ibid., idem, 1926 (= 1927), 55,(1)p., woodcut frontisp. portr. by R. STEINER, printed in black, red and blue in 200 numb. copies by C. NYPELS, orig. gilt wr.
- Backstrip and wr. partly sl. sunned; spine-ends sl. worn. = Van Laar 57.
Kemp, P. Carmina Matrimonialia. Ibid., Veldeke, (1928), 1st ed., 58,(2)p., printed in red and black in 200 copies by C. NYPELS, contemp. gilt hmor.
= Van Laar 68.
AND 5 others printed by the same, i.a. J.W. VON GOETHE, Sonette (ibid., 1926, printed in 120 numb. copies, orig. gilt wr.) and TH. DE VRIES, Westersche nachten (Utr., 1930, printed in 25 numb. copies signed by the author, orig. wr., 4to.).
- Endpapers renewed. Spine sl. creased; joints splitting at foot of spine.
= One of 20 numb. and signed copies on handmade paper. Van Laar 86.
Marsman, H. De vijf vingers. Ibid., idem, 1929, 1st ed., 51,(1)p., 5 ills. by H. JONAS, printed in black and red by C. NYPELS, later private marbled boards w. giltlettered mor. letterpiece, orig. wr. w. ill. by J. CANTRÉ pres.
- Some foxing on first/ last free endpaper and colophon page. Otherwise a fine copy.
= No.2 from the series De Wingerd. One of 25 numb. copies on handmade Pannekoek. Van Laar 92.
- Our copy unnumb. (possibly erased?). Bookplate on first free endpaper. Backstrip sunned. = Van Laar 11.
Gautier, T. Émaux et camées. Paris/ Maastr., La Connaissance/ Leiter-Nypels, 1927, 137,(1)p., printed in red and black in 505 numb. copies (400), orig. wr.
= SIGNED by C. NYPELS and R.-L. DOYON below colophon. La Tulipe Rose no.1. Van Laar 41.
Idem. Galanteries. N.pl., "Sur les Presses Pieuses de Roc et Pine, à l'Enseigne du Temple de Chaud Chat, à Calvinopolis" (= Maastr., C. Nypels), n.d. (1930), 24,(2)p., printed by C. NYPELS in black and red in 100 numb. copies (31), orig. wr.
= One of 31 Roman numb. copies on Japanese. Van Laar 109.
AND 4 others (incl. 1 duplicate), i.a. J. DU BELLAY, La vieille courtisane (Paris/ Maastr., 1925, woodcut frontisp. portr. by W.J. ROZENDAAL, printed in black and red in 200 numb. copies (150), orig. wr.).
= One of 25 copies bound in Levant hmor. by D. Simaleavich of the Phoenix Bindery, with a numb. and signed artist's proof of one of the engravings.
Herbert Hodgson. Printer. Work for T.E. Lawrence & at Gregynog. Wakefield, The Fleece Press, 1989, 43,(3)p., mounted photogr. ill. frontisp., printed in 340 copies, orig. clothbacked boards. Forwarded and Finished. An Amusement Concerning Bookbinders. Ed. N. Howell and G. Moss. Oldham, Incline Press, 1995, VII,(1),40p., printed in 300 numb. copies (100), bound in clothbacked dec. boards by G. MOSS. - AND 4 others.
- Letraset lettering of title sl. defective; first page sl. thumbed; last 2 lvs. w. stain(s) in blank margins.
= Unique copy, the drawings like a flipbook showing the turning of the page of a book. WIth SIGNED DEDICATION by the artist on last page: "for Jan van der Marck, a writer of wonderful pages/ Patrick Ireland". R. Panczenko (ed.), Patrick Ireland: Labyrinths, Language, Pyramids, and Related Acts (1993), p.89.
- Uncut copy; dustwr. sl. dam. at spine-ends, otherwise fine.
Harrison, J. and Mirrlees, H. (transl.). The Book of the Bear. Being Twenty-one Tales newly translated from the Russian. London, Nonesuch Press, 1926, 1st ed.(?), XIII,(1),107,(1)p., ills. in black, brown and red by RAY GARNETT, orig. hcl.
- Bookplate on upper pastedown. Boardedges sl. worn.
AND 1 other.
= Mardersteig 107.
= With prospectus loosely inserted.
- Box with a few worn areas; nevertheless fine.
AND 1 other: INTERNATIONAL SYMPOSIUM URBAN WATER 88 (computer printed brochure, num. ills., stapled together in upper left corner, incl. duplicates on board, with an ORIGINAL DRAWING by P. OVERHAUS, pencil and blue marker, 19,5x13 cm.).
= One of 24 copies with 2 lithographs (instead of 7).
AND 7 others by/ on the artist.