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5212 - 5421     FINE ARTS - JAPANESE PRINTS, DRAWINGS and ILLUSTRATED BOOKS, ORIENTAL ARTS

Page 3 of 11 Results 41 - 60 of 210
83 5252 Chûkosho meika bijin seri Contest of Famous Beauties from the Middle Ages
83 5252 Chûkosho meika bijin seri Contest of Famous Beauties from the Middle Ages
83 5252 Chûkosho meika bijin seri Contest of Famous Beauties from the Middle Ages
83 5252 Chûkosho meika bijin seri Contest of Famous Beauties from the Middle Ages
83/5252 Chûkosho meika bijin seri (Contest of Famous Beauties from the Middle Ages). Seven col. woodcuts (of 12?), all ±23x17 cm., signed by various artists w. red seal (all unread), publisher unread, 1893 (Meiji 26).

- With sm. pinholes and sm. ruststains from pushpins in corners (5x). = Comprises nos 1, 2, 4, 6-9.

AND 1 anonymous (foxed) col. woodcut of a Heian period court lady.

€ (200-300) 210
83 5253 Consistent Geomancy
83/5253 (Consistent Geomancy). Series of 8 vols. with woodcut ills. and Chinese text printed on thin kraft paper, bound unif. as a blockbook, w. cloth portfolio w. bone clasp w. mounted title-strip and printed colophon(?), 19th cent.

- Two vols. w. (remnants of) title-strip, other vols. wrs. blank. Portfolio worn/ sl. dam. and lacks one clasp.

= A manual of geomancy, with numerous ills. depicting various shapes and configurations of rocks, mountains and water.

€ (30-50)
83/5254 Crêped paper books  Les Contes du vieux Japon No 11 Le Lièvre d'Inaba Transl by J Dautremer
83/5254 [Crêped paper books]. Les Contes du vieux Japon. No. 11. Le Lièvre d'Inaba. Transl. by J. Dautremer. Tokyo, T. Hasegawa, 1903 (Meiji 36), (7) lvs., French text, bound as a blockbook, (full-p.) col. woodcut ills. and orig. unif. wr., printed on crêped-paper, sm. 8vo.

- Trifle/ sl. foxed; w. sl. later owner's entry on first textp. Wrs. (sl.) worn/ waterst. = Rare.

€ (50-70)
83/5255 Crêped paper books  Japanese Fairy Tale Series No 7 The Old Man & The Devils / No 8 The Fisher Boy Urashima
83/5255 [Crêped paper books]. Japanese Fairy Tale Series. No.7. The Old Man & The Devils./ No.8. The Fisher-Boy Urashima. Tokyo, T. Hasegawa, 1886 (Meiji 19), 2 vols., (9); (12)lvs., English text, bound as a blockbook, (full-p.) col. woodcut ills. and orig. (1x cordbound) wr., printed on crêped paper, sm. 8vo.

- No. 7: contents sl. yellowed; wr. sl. stained/ faded; frontwr. partially open at seam; backstrip (sl.) dam. No. 8: frontwr. partially open at seam and w. 2,5 cm. tear near foot of spine.

€ (60-80) 60
83 5256 Eisen 1790 1848
83 5256 Eisen 1790 1848
83 5256 Eisen 1790 1848
83 5256 Eisen 1790 1848
83/5256 Eisen (1790-1848). (Bijin lifting the hem of her kimono). Col. woodcut ôban, signed Keisai Eisen-ga, publisher Maruya Jinpachi, w. kiwame seal.

- Slighlty faded/ soiled. = From an unidentified series.

Eizan (1787-1867). (Oiran with a pipe). Col. woodcut ôban, signed Eizan-hitsu, publisher Moriya Jihei, w. kiwame seal, ±1830s.

- Faded; (sl.) foxed.

AND 5 e-hon lvs. w. woodcuts showing Heian era court scenes.

€ (100-150) 140
83 5257 Eitaku 1843 1890
83 5257 Eitaku 1843 1890
83 5257 Eitaku 1843 1890
83 5257 Eitaku 1843 1890
83 5257 Eitaku 1843 1890
83/5257 Eitaku (1843-1890). Banbutsu hinagata gafu (Album of Universal Designs). Vol 5. Tokyo, Etô Kihei, 1882 (Meiji 15), 1 vol. (of 5), (21) lvs., woodcut ills., bound as a blockbook w. hashira-title.

- Waterstained in lower inner corner; partly trifle/ sl. foxed.

Idem. Sensai Eitaku gafu. Tokyo, Ôkura Magobei, 1884 (Meiji 17), (22) lvs., (col.) woodcut ills. by KOBAYASHI (SENSAI) EITAKU, bound as a blockbook, orig. wr. w. hashira-title.

- Contents sl. foxed. Wr. loose.

(Book of poems). Ehon, n.pl., n.publ., 1865(?), col. woodcut ills. and poems by various artists, bound as a blockbook w. hashira-title.

- Binding worn.

AND 1 other ehon.

€ (120-150)
83 5258 Eitaku 1843 1890
83 5258 Eitaku 1843 1890
83 5258 Eitaku 1843 1890
83/5258 Eitaku (1843-1890). Sensai Eitaku gafu. Tokyo, Ôkura Magobei, 1884 (Meiji 17), (22) lvs., (col.) woodcut ills. by KOBAYASHI (SENSAI) EITAKU, bound as a blockbook, orig. wr. w. hashira-title.

- Occasionally trifle foxed.

€ (80-100) 190
83 5259 Eizan 1787 1867
83/5259 Eizan (1787-1867). (Bijin with a child). Col. woodcut, 35x23 cm., signed Eizan hitsu, publisher seal Sen'ichi han (Izumiya Ichibei), without censor or dateseal, framed.

- Sl. soiled and agetoned.

€ (150-250) 160
83 5260 Eizan 1787 1867
83 5260 Eizan 1787 1867
83/5260 Eizan (1787-1867). (Bijin with a young servant). Col. woodcut ôban, signed Eizan hitsu, publisher and kiwame seal (sl. yellowed). - AND a woodcut ôban by EISEN, entirely printed in blue, somewhat soiled and creased.
€ (80-100) 300
83 5261 Gekkô 1859 1920
83 5261 Gekkô 1859 1920
83 5261 Gekkô 1859 1920
83 5261 Gekkô 1859 1920
83/5261 Gekkô (1859-1920). Irohabiki Gekkô manga. Second series, vol. 1 and 3. Tokyo, Touyoudou, 1898 (Meiji 31), 2 vols., 25; 25 lvs., num. (double-p.) woodcut ills. by GEKKÔ, orig. unif. cordbound wr. w. hashira-title.

- One vol. sl. waterst., the other sl. foxed. One vol. covers loosening.

€ (70-90) 70
83 5262 Gekko 1859 1920
83 5262 Gekko 1859 1920
83/5262 Gekko (1859-1920). Nisshin sensô Nissei Heijô Shôho zu (Scene of the war at Pyongyang). Col. woodcut ôban triptych, signed Gekko, publisher Takegawa Risaburô, 1894.

= Chaïkin 34, illustrated at p.142.

AND one other triptych showing a battle scene from the same war by WATANABE NOBUKAZU.

€ (100-150) 100
83 5263 Gekkô 1859 1920  after
83/5263 Gekkô (1859-1920) (after). (Yasuke in a wrestling match). Etching and aquatint w. col. pencil, 27,5x22 cm., 20th cent.

= Two figures copied from a print by GEKKÔ, one of which is Yasuke, a black African man who was brought to Japan in 1579 in service to Jesuit missionary Alessandro Valignano. In 1581, Valignano had an audience with Oda Nobunaga, who wished to see the man, subsequently taking him into his service and naming him Yasuke. Yasuke lived and fought as a samurai in Oda Nobunaga's service until the latter died in 1582. After that Yasuke was sent back to the Jesuits. Not much is known about him besides his short time in Japan. He possibly originated from present day Sudan, or possibly Mozambique.

€ (30-50) 30
83 5264 Hanko 1870 1917
83 5264 Hanko 1870 1917
83 5264 Hanko 1870 1917
83/5264 Hanko (1870-1917). (The cicada and the ant). Col. woodcut on 2 attached lvs., ±25x33 cm., signed (unread) and w. red seal (Hanko).

- Slightly foxed/ soiled, particularly along edges.

Hiroshige (1797-1858) (after). (Trout). Col. woodcut, 25x36,5 cm., signed Hiroshige-hitsu w. (unread) red seal, modern recut after the 1832 original.

- Sl. foxed and w. remnants of sellotape on blank margins.

AND 2 other woodcut bookills. on 3 lvs.

€ (80-100)
83/5265 Hasshûkigen shakajitsuroku The Origins of the Eight Schools Record of the Truth of Buddha
83/5265 Hasshûkigen shakajitsuroku The Origins of the Eight Schools Record of the Truth of Buddha
83/5265 Hasshûkigen shakajitsuroku The Origins of the Eight Schools Record of the Truth of Buddha
83/5265 Hasshûkigen shakajitsuroku (The Origins of the Eight Schools, Record of the Truth of Buddha). Kyôto, n.publ., 1854, 4 vols. (of 5), 16 double-p. and 1 single-p. woodcut ills. by UTAGAWA SADAHIDE, bound unif. as a blockbook w. hashira-title.

- All vols. sl. fingersoiled; one vol. partly (sl.) waterst./ soiled. One vol. modern binding string.

€ (50-70)
83 5266 Hasui 1883 1957
83/5266 Hasui (1883-1957). Moon at Umagome. Colour woodcut, 36,4x24,2 cm., signed Hasui, w. Kawase seal, publ. Watanabe Shôzaburô, 1930.

= Brown 165, with copyright seal A. Probably a postwar edition.

€ (300-500) 700
83 5267 Hasui 1883 1957
83/5267 Hasui (1883-1957). Moon over Kiyosumi garden. Colour woodcut, 36,4x24,2 cm., signed Hasui, w. Kawase seal, publ. Watanabe Shôzaburô, 1938.

= Brown 425, with the copryright Watanabe seal A. Probably a postwar edition.

€ (300-500) 350
83 5268 Hasui 1883 1957
83/5268 Hasui (1883-1957). Rain in Maekawa, Sôshû. Colour woodcut, 36,4x24,2 cm., signed Hasui, w. Kawase seal, publ. Watanabe Shôzaburô, 1932.

= Brown 223, with copyright seal A. Probably a postwar edition.

€ (300-500) 900
83 5269 Hironobu act ±1851 1872
83 5269 Hironobu act ±1851 1872
83/5269 Hironobu (act. ±1851-1872). (Man with a net and bucket and woman under a blossoming tree). Col. woodcut chûban diptych, signed Hironobu-ga, n.publ., no seals.

- One print w. crease in blank margin; both trifle soiled. With remnants of gold foil decorations.

€ (70-90) 100
83 5270 Hiroshige 1797 1858
83 5270 Hiroshige 1797 1858
83 5270 Hiroshige 1797 1858
83 5270 Hiroshige 1797 1858
83/5270 Hiroshige (1797-1858). Gojû-san tsugi meisho zue (Famous Sights of the Fifty-three Stations). No. 2, 10 and 24. Three col. woodcut ôban from the series of 55, signed Hiroshige-hitsu, publisher Tsutaya Kichizô, with aratame and zodiac date seal, 1855.

- No. 2: Blank margins sl.dam.; sl. stained, mostly in right blank margin. No. 10: With a closed hole 1x1 cm., doubled w. thin Japanese; blank margins trimmed. No. 24: With a few sm. tears in blank margins (1x in lower right corner of image, unobtrusive); paper trifle yellowed.

= Comprises: No. 2 Shinagawa. Goten-yama yori ekijû o miru (Shinagawa: View of the Station from Goten-yama), No. 10 Odawara. Kaigan gyosha (Odawara: Fishing Huts on the Beach) and No. 24 Shimada. Ôigawa sungan (Shimada: The Suruga Side of the Ôi River).

AND 1 other by HIROSHIGE IV (1849-1925).

€ (100-150) 375
83 5271 Hiroshige 1797 1858
83 5271 Hiroshige 1797 1858
83 5271 Hiroshige 1797 1858
83 5271 Hiroshige 1797 1858
83/5271 Hiroshige (1797-1858). Shinobazu no ike (Shinobazu Pond). Col. woodcut ôban, signed Hiroshige-ga, (publisher Aritaya Seiemon), ±1840-1845.

- Trimmed on borderline w. loss of publishing information; w. two light spots/ stains.

= From the series Edo meisho (Famous Places of Edo).

Kunisada (1786-1865). (Oiran in the Red-light District). Col. woodcut ôban, signed Toyokuni-ga in toshidama cartouche, publisher Jôshûya Jûzô, w. aratame date seal, 1861.

- With (large) tears in upper corners.

AND 2 others.

€ (100-150) 110
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