5865 - 6291 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
- Agetoned; sl. weak impression; tiny chip in upper right corner; two spots; trimmed 1 or 2 mm outside the borderline.
= New Hollstein 35, b/ c. SEE ILLUSTRATION PLATE LXXV.
- Five or six sm. closed holes in lower part; grey, unevenly printed impression w. a horizontal printing flaw; agetoned; trimmed to the image.
= On sixteenth century laid paper with a crowned 'L' flanked by two fleur-de-lis in a crowned shield, below a gothic letter A or Y(?). Hollstein 136, 2nd state of 2.
= Cut out from an Antwerp bible, 1529-1530. New Hollstein 216, a (before the wormholes).
Idem (after). The Beggars. Etching, 10,9x7,9 cm.
- Fingersoiled; cut just outside the borderline.
= Cf. Hollstein 143. Rare copy in the same direction, not mentioned in Hollstein. Printed on laid paper (16th/ 17th cent.).
AND 2 others by/ after the same: Apostle John (H.90) (soiled and w. large repair) and a copy of the same print in reverse (Hollstein 90, copy a).{#}
- Cut on the platemark, but with added modern margins of Japanese paper; sl. grey, but otherwise a fine impression.
= New Hollstein 115b; Filedt Kok B115. First and only state. SEE ILLUSTRATION PLATE LXXV.
- Fine, strong dark impression; trimmed ±1 mm. outside the platemark; trifle agetoned; w. a few (tiny) vague stains, i.a. in upper corners.
= Hollstein 34, the 4th state (of 5). With the collector's mark of Carl Ritter von Zepharovich (Lugt 2675). On 17th century laid paper with foolscap watermark. SEE ILLUSTRATION PLATE LXXVI.
- Somewhat grey impression, the print appears to have been washed; sl. agetoned; trimmed on/ just within the platemark; paper w. a few thin spots along lower edge.
= Hollstein 46, 3rd state (of 3). On 17th cent. laid paper with foolscap watermark. SEE ILLUSTRATION PLATE LXXVI.
- Sl. soiled; weak printed part, mostly the helmet, trimmed a few mm. outside the platemark.
= Hollstein 94, (rejected by Dutuit). Perhaps by Willmann. Rijksmuseum attributes this print to an anonymous German artist (RP-P-OB-56.296).
- Left margin trimmed short, just within the image, otherwise just outside.
= Hollstein Lievens 78, only state (as Lievens); Hollstein Savery 140. Used in: J.P. Schabaelje, De Grooten Emblemata Sacra (Amst., 1654). With manuscript annot. in brown ink on verso (the letter "L" in reverse w. a triangle. Not traced in Lugt).
- Middlefold splitting at lower end; some foxing/ dustsoiling (mainly) in blank margins.
= Hollstein 20.
- All prints w. marginal defects.
= No. 3, 5, 7, 8, 10, 13, 14, 15, 17-20, 29, 32, 40, 44, 46, 47, 49, 52, 56, 57, 59, 60, 61. Klaversma/ Hannema 177; Van Eeghen/ Van der Kellen 429.
- Trifle foxed; tape ghost in upper margin; trimmed a few mm. outside the platemark.
= Hollstein 8, the second state (of 2).
- First print cut on (lower and upper) margin and just outside the platemark; second print upper and lower margin cut to the platemark; outer margins 5 mm. outside the platemark.
= Hollstein 4; F.M. 3340a. Both prints from the collection of H.E. ten Cate with his collector's mark (Lugt 533b) on verso.
= State before the letterpress title below.
Guérard, Henri (1846-1897). "Villerville". Engraving, 11x25 cm., signed "H. Guerard" and titled in the plate, on laid paper. - AND 3 etchings (and drypoint) by Charles JACQUE ("L'Abreuvoir"), Leon GAUCHEREL ("Venise") and Léopold FLAMENG.
- Cut on the platemark; sl. fingersoiled in the corners.
= Montaiglon 211. SEE ILLUSTRATION PLATE LXXVI.
AND 7 other similar portraits by the same of French prelates and statesmen.{#}
= Portraits of the French chancellor Pierre Séguier (1639, Montaiglon 231); François Théodore de Nesmond (IFF 183, ii); Alphonse Delbène, Bishop of Orléans (Montaiglon 181); Omer Talon (Montaiglon 233), Matthieu Molé (Montaiglon 215); Henri-Louis Habert de Montmor (Montaiglon 194) and François de Villemontée (Montaiglon 143).




























