1072 - 1314 FINE PRINTING and ILLUSTRATED BOOKS (including CARICATURE)
= Printed on the occasion of the marriage of Lily Maessen and H.G.M. Prick in September 1959. With AUTOGRAPH SIGNED DEDICATION: "Voor/ Anny Schuitema/ met een zuidelijke dichter-/ groet van de schrijver/ Pierre Kemp".
= With AUTOGRAPH SIGNED DEDICATION "Voor Mya Maas met hartelijke gevoelens van hoogachting, van [signature]" on title-p. and w. 2 loosely inserted short autograph notes.
Idem. Kleine suite voor Karel Reijnders. Ibid., PK-Stichting, 1964, (15) lvs., silkscreen facs. text by B. HELDERS and 3 full-p. col. silkscreen ills. by G. ASSELBERGS, loosely inserted fold. facs. letter (by Kemp to Reijnders), printed in 50 numb. copies, orig. wr. w. silkscreen letterpiece on frontwr.
= One of 19 copies marked "PK" reserved for the author. With AUTOGRAPH SIGNED DEDICATION "Voor Mya Maas" on first blank.
AND 3 others by the same, i.a. Carmina Matrimonalia (ibid., n.d., printed by C. NYPELS, contemp. hcl.).
= Monod 5411.
- Some sm. stains on title-p. and frontisp. Top of spine sl. dam.
= One of 25 copies on Pannekoek printed on the name of "Monsieur Alexandre d'Almeida". Laboureur 341.
= One of 55 copies on Japanese, with a suite of the 22 pochoir col. etchings on vélin de Rives. Monod 11093.
AND 2 others illustrated by the same: H. BOURGEREL, L'Embarquement pour Cythère (ibid, 1929, col. woodengr. ills., printed in a lim. numb. ed., loose as issued in orig. hcl. w. ties, folio) and P. VALÉRY, Verse & prose (ibid., 1926, pochoir col. etched ills., orig. wr., 4to. Spine broken).
- Lithographs in fine condition; textlvs. partly sl. browned. Tear in frontwr.; chemise lacks backstrip.
= "Edition estimée" (Carteret, IV, 240).
- Some (paint)soiling. Backstrip worn away, hinges weak. Batik paper over covers and slipcase partly worn away.
= Marchesseau, 67. Very charming album. I.a. depicting Mathilde, Rose et Léonie, Mélanie, Anaïs, Geneviève, Madeleine and Rose (signed in pencil). SEE ILLUSTRATION PLATE XXVII.
- Lacks slipcase; chemise joints split (but holding well).
= With a suite of the etchings printed in black. This copy numb. "H.C. X" in black pen.
- Wr. split along spine and partly sunned/ discoloured.
= One of 25 copies on Hollande Pannekoek with all woodcuts signed in pencil.
= Monod 9742. One of 75 copies with an extra suite of all 15 lithographs printed in black & white on Chine paper, with an extra lithograph SIGNED by Fernand LEGER and with 2 inserted AUTOGRAPH SIGNED LETTERS by Henri Milller to Mr. Fichter, both dated 1951, concerning not having received [unspecified] books for clients. SEE ILLUSTRATION PLATE XXVII.
= Monod 5537. With 2 suites of 16 etched and aquatint plates, 1 suite printed in brown and 1 suite in colours, together loose as issued in orig. wr., contemp. blue hmor., together w. the preceding in contemp. matching blue silk slipcase.
= SIGNED by both authors on title-p.
Matthies, F.-W. Inventar der Irrtümer. Berlin, Berliner Handpresse, 1988, 47,(1)p., 6 col. linocut ills. by W. JÖRG and E. SCHÖNIG, printed in 300 numb. and signed copies, bound as a blockbook, orig. hcl., folio. - AND 7 others, i.a. L. VROMAN, Oktober (n.pl., 1979, orig. etching by J. KINDERMANS-BLOK, printed in 20 numb. and signed copies, orig. wr., folio) and 5 issues of ZEITSCHRIFT FÜR LITERATUR & GRAFIK IN DER "SCHIERLINGSPRESSE".
= Monod 7203. All published. Fine publication, with samples of recent and forthcoming publications by many of the leading (French) publishers.
= With 2 extra suites of the 47 woodcuts (1 suite printed in sanguine), both suites in orig. wr., together in hvellum chemise and slipcase and w. an extra suite of 11 woodcuts (partly foxed) printed on various kinds of paper. This copy signed in pencil by Maillol on the colophon and numb. "XVIII". Carteret IV, p.243 ("Belle édition très cotée"). Cf. Monod 7238 (identical ed. with English text, London, 1937).
- Owner's entry on first free endpaper. Covers of chemise and slipcase browned and partly worn along extremities. Otherwise fine.
= WITH an extra lithograph by the same printed on Japanese (some soiling). Copy printed on name of Lucien Maillol and one of 225 numbered copies of a total limited edition of 275 on hand-made "papier spécial pur chanvre" from the Canson et Montgolfier paper mill. Text printed by Pierre Bricage, lithographs printed under the supervision of Fernand Mourlot. All stones were cancelled after printing. Monod 7468.











































