1072 - 1314

1072 - 1314 FINE PRINTING and ILLUSTRATED BOOKS (including CARICATURE)

Page 9 of 13 Results 161 - 180 of 243

84/1232 Nicolas Établissements Nicolas maison fondée en 1822 Liste des grands vins fins 1929 1973

84/1232 [Nicolas]. Établissements Nicolas, maison fondée en 1822. Liste des grands vins fins 1929-1973. Paris, Société Anonyme au Capital de 25 Millions, (1929-1972), 33 issues, design and typography by i.a. A.M. CASSANDRE, DRANZY, E. LEGRAND, DARCY, C. VAN DONGEN and DIGNIMONT, orig. not unif. wr.

= Oberlé, Bibliothèque Bachique 597, 33. Fine run with striking design and typography, including the extremely rare first issue. Comprises year 1929-1936, 1938, 1939, 1949-1951, 1953-1967, 1969-1973.

€ (1.000-1.500) 1200

84/1233 [Nonesuch Press]. Dante Alighieri. La Divina Commedia or the Divine Comedy. Ed. M. Casella, transl. H.F. Cary. London, The Nonesuch Press, 1928, (4),325,(2)p., 42 (fold.) plates after S. BOTTICELLI, juxtaposed English and Italian text, printed in 1475 numb. copies, orig. gilt orange vellum, t.e.g., blue cloth slipcase, folio.

- Spine faded; frontcover (unevenly) recoloured.

€ (100-150) 150

84/1234 [Nonesuch Press]. Symons, A.J.A. a.o. The Nonesuch Century. An Appraisal, a Personal Note and a Bibliography of the first hundred books issued by the Press 1923-1934.

London, the Nonesuch Press, 1936, XI,(1),80p., plates, 99 tipped-in specimens (i.a. w. woodcut by Paul NASH), engr. portrait after E. GILL, printed in 750 copies, orig. cl. w. mor. letterpiece, 4to.

- Endpapers sl. foxed, otherwise a fine copy.

= Specimens of printed leaves, i.a. with (pochoir col.) illustrations i.a. by E. McKnight Kauffer, G. Grosz, Jacquier, Marian Dorn.

€ (80-100) 120

84/1235 Omar Khayyam. Rubaiyat. Woubrugge, Avalon Pers, 1992, no pagination, printed in 175 numb. copies (100), orig. cl.

= One of 100 copies with a colour frontispiece by Frans DE JONG.

Nederlands Omar Khayyam Genootschap. Jaarboek 1-8. Ibid., idem, 1992-2018, 8 vols., frontisp., ills., each printed in 80/ 90 copies, orig. unif. cl.

= Each one of 30 to 50 copies bound in cloth.

AND 9 sm. publications by the same press, all for members of the Dutch Omar Khayyam club. - ADDED: 3 English editions of the Rubaiyat by OMAR KHAYYAM, translated by Edward Fitzgerald, w. plates and col. dec. cl. by Elihu VEDDER (Boston, 1894); w. col. plates, dec. and orig. cl. by Frank BRANGWYN (London, 1919) and plates by/ after Gilbert JAMES (London, 1905).

€ (80-100)

84/1236 [Orlík, E.].Greiner, L. Chinesische Abende. Novellen und Geschichten. Berlin, Erich Reiss, 1922, 217,(2)p., 10 full-p. lithographs by EMIL ORLÍK, printed in a lim. numb. ed., orig. hcl.

- Old library stamp on title-page; sl. foxed. Cover stained; spine worn.

€ (60-80) 60

84/1237 [Pear Tree Press]. McLeod, T. Specimens of Wood Type. Auckland, Pear Tree Press, 2001, (12) (fold.) lvs. w. woodtype and ills., printed in 60 numb. and signed copies, orig. letterpress wr., 4to. Idem. Specimens of Metal Type. Ibid., idem, 2000, 43,(4)p., printed in 120 copies, orig. cl. w. mounted ticket on frontcover. = With 7 loosely inserted ephemera by the same.

Idem. Sans Serif. Typefaces from the Pear Tree Press. Ibid., idem, 2008, unpaginated, col. letterpress plates (incl. 1x w. collage), printed in 40 copies, orig. hcl., 4to. - AND 2 others by the same press: B. GREGORY, A Cry to Kerouac (2013, printed in 40 copies, orig. wr.) and IDEM, In Nature (2012, 60 copies, orig. wr.).

€ (100-150) 200

84/1238 Pedersen, C.H. Solens latter. Copenhagen, B. Rosengreen, 1968, no pagination, lithogr. bookdec. and orig. lithogr. boards by CARL-HENNING PEDERSEN, printed in 600 numb. copies, monogrammed by the artist, folio.

€ (100-150) 100

84/1239 Pen en burijn. Ed. F. Haans. Series 1-3. Ulvenhout, F. Haans, 1968-1977, 30 col. photo-lithogr./ screenprint/ linocut plates w. accomp. text, all numb. and/ or signed in pencil, printed in 200 numb. copies, custom cl. chemise and slipcase, 4to.

€ (100-150) 100

84/1240 Philemon und Baucis I Arbeitstreffen der Holzschneider im Hans Tergot Turm zu Uelzen

84/1240 Philemon und Baucis. I. Arbeitstreffen der Holzschneider im Hans-Tergot-Turm zu Uelzen. Uelzen, various printers/ artists, 1995, 1 textleaf, 8 woodcuts, all signed and numb. "48/48" in pencil by the resp. artist, loosely inserted in paper chemise, orig. narrow woodcut and inked wooden lidded box, large folio.

= With 2 loosely inserted broadside letterpress and woodcut posters for the event.

Drucktopf nr.2. Helserdeich, Buchmacherei Heinrich, 2001, 44 (letterpress) contributions of 1 or 2 lvs. (a few w. mixed media), various techniques (col. lithogr. linocut/ woodcut) (handcol.) ills., printed in 94 numb. copies, orig. clothbacked boards w. loosely inserted wooden spatula in pocket on frontcover, large folio. Luises Glanz & Preussens Gloria. Ein Gemeinschaft-Projekt von vierundzwanzig Handpressen zum Preussenjahr 2001. Gransee, 2001, 24 broadside letterpress lvs., partly w. col. woodcut ills., together in orig. dec. box w. doors, large folio. - AND 1 others on/ by German private presses: SCHISCHYPHUSCH. Zeitschrift für Literatur und Grafik in der Schierlingpress. No.1-6 (Dreieich, 1992-1997, 6 vols., orig. not unif. wr., folio, in a clamshell cl. box).

€ (100-150) 140

84/1241 [Picasso, P.]. Reventós, R. Dos Contes. Paris/ Barcelona, Editorial Albor, 1947, no pagination, 4 full-page etchings by Pablo PICASSO, printed in 250 numb. copies, loose as issued in orig. wr., orig. wooden covers w. ties, folio.

- Contenrs and wr. partly browned (as usual); inkstain on frontwr.; wr. lacks the backstrip.

= Cramer Picasso, livres illustres, 44; Bloch 468ff. SEE ILLUSTRATION PLATE XXVIII.

€ (1.500-2.000) 1500

84/1242 [Picasso, P.]. Reverdy, P. Les chants des morts.

Paris, Tériade for Éditions Verve, 1948, 117,(10)p., 125 lithographs by PABLO PICASSO, all printed in red, printed in 250 numb. copies, orig. lithogr. wr. and orig. lithogr. dustwr., orig. board slipcase, folio.

- Unsigned and unnumb. copy. Occas. (sl.) foxed. = Cramer 50; Bloch 524; Mourlot 117. SEE ILLUSTRATION PLATE XXVIII.

€ (1.500-2.000) 2500

84/1243 [Pie Tree Press]. Rimmer, J. Leaves from the Pie Tree. Memories from the composing room floor. New Westminster, Pie Tree Press & Type Foundry, 2006, 68,(3)p., various (fold.) typespecimens, tipped-in plates, col. linocut plates and ills. by Jim RIMMER, ills., printed in 40 numb. copies, monogrammed by the printer, orig. hcalf w. dec. boards, folio.

= Rare. With the letterpress prospectus. Autobiographical work by the Canadian printer and typefounder Jim Rimmer.

€ (200-300) 1300

84/1244 Pirmez, O. Essai sur la contemplation suivie de réflexions philosophiques. Brussels, Les Amis de l'Institut Supérieur des Arts Décoratifs, n.d. (1928), 52,(5)p., printed in black and brown in 520 numb. copies (500), orig. wr., 4to.

- Fine.

= No. 1 in the series Auteurs Belges éditée par les Amis (...). Remarkable typography with the title and initials composed by NINETTE JACQUET w. (ornaments of) the 'Futura'. This copy without number.

AND 2 others from the same series: no.7 (F. HELLENS, Les clartés latentes) and 9 (A. BAILLON, Pommes de pin).

€ (60-80) 60

84/1245 [Plough Press]. Wakeman, G. Graphic Methods in Book Illustration. Loughborough, The Plough Press, 1981, text vol.: (9)p. (incl. colophon); 19 samples of printing techniques, each tipped in letterpress wrapper, printed in 120 numb. copies, loose as issued in orig. cl. clamshell box w. letterpiece, 4to.

= With the prospectus loosely inserted.

€ (250-350) 275

84/1246 [Plough Press]. Wakeman, G. The Production of Nineteenth Century Colour Illustration. Loughborough, Plough Press, 1976, (8)p., 17 tipped-in samples of colour plates in various techniques, each w. accomp. textleaf, printed in 100 numb. copies, orig. giltlettered blue hmor. w. marbled boards, folio. = With the prospectus loosely inserted. Rare.

Idem. Victorian Colour Printing. Ibid., idem, 1981, 35,(4)p., 8 plates w. bound-in or tipped-in samples of colour plates, each w. accomp. textleaf, 2 samples and 5 proofs of the same print loosely inserted in rear pocket, printed in 150 numb. copies, orig. brown half oasis w. marbled boards, folio.

= Scarce.

Idem. The Art of Anastatic Printing. Three Mid 19th Century Accounts. Kidlington, idem, 1986, fold. introd. leaflet, 3 facs. vols. (all 8vo), sample of an anastatic print, all loosely inserted in orig. clothbacked portfolio, printed in 150 numb. copies, folio.

= Rare. The facsimile volumes are: P.H. de La MOTTE, On the various applications of Anastatic printing and papyrography (facs. ed. London, 1849), S.H. COWELL, A brief description of the art of anastatic printing (facs. ed. Ipswich, 1852) and C.J. JORDAN, A Treatise on Anastatic Printing (...) (facs. ed. London, 1852).

€ (300-500) 375

84/1247 [Pogàny, W.]. Rolleston, T.W. Tannhäuser. A Dramatic Poem by Richard Wagner Freely Translated in Poetic Narrative Form. London, G.G. Harrap & Co., (1911), no pagination, 16 tipped-in col. plates, num. (full-p.) (col.) lithogr. ills. and fine bookdecoration by W. POGÀNY, printed on light-grey paper, orig. gilt and dec. cl., 4to.

- Corners trifle rubbed; backcover sl. dented but fine.

€ (80-100) 80

84/1248 [Prop, Ser J.L.]. Kemp, P. Les 4 joies des livres. Terhorst, Ser J.L. Prop, 1987, (12)p., printed in black, red and blue in 119 numb. copies (19), orig. wr., large 8vo.

= With loosely inserted AUTOGRAPH SIGNED LETTER to "Beste Harry [G.M. Prick]" by the publisher.

Idem. Speelgoedconcern. Ibid., idem, 2000, (4)p., printed in 100 numb. copies, orig. wr.

= With AUTOGRAPH SIGNED DEDICATION "voor Harry G.M. Prick" by the publisher in coplophon.

Idem. Dichterschap. Ibid., idem, 1991, (8)p., printed in 115 numb. copies, orig. wr. - AND 2 others by the same, publ. by the same.

€ (50-70)

84/1249 Proust, M. Un amour de Swann. Paris, Gallimard, 2013, 197,(11)p., col. ills. by P. ALECHINSKY, orig. wr. w. belly band, folio. Kafka, F. La métamorphose. Transl. J.-P. Lefebvre. Ibid., idem, 2020, 142,(18)p., col. ills. by M. BARCELÓ, orig. wr. w. belly band, folio. - AND 5 others similar publ. by the same.

€ (100-150) 110

84/1250 [Rackham, A.]. Poe, E.A. Geheimnisvolle und phantastische Erzählungen. Berlin, Deutsche Buch-Gemeinschaft, n.d. (±1925), 333,(1)p., 12 col. plates and num. full-p. ills. by A. RACKHAM, orig. gilt hcalf.

- Spine trifle rubbed. Fine copy.

€ (100-150) 100

84/1251 [Rackham, A.]. Shakespeare, W. A Midsummernight's Dream. London/ New York, W. Heinemann/ Doubleday, Page & Co., 1917, (6),134,(2)p., 40 tipped-in col. plates, num. (full-p.) ills. and orig. gilt cl. by A. RACKHAM, 4to.

- Contents trifle foxed. Backstrip sl. dam. at spine-ends; corners trifle rubbed/ worn.

Ingoldsby, T. The Ingoldsby Legends. N.pl. (London), W. Heinemann, 1929, XIX,549p., 24 tipped in col. plates, 12 tinted plates, num. ills. and orig. gilt cl. by A. RACKHAM, 4to.

- Owner's entry on first free endpaper.

€ (80-100) 90

Page 9 of 13 Results 161 - 180 of 243