- Sm. burning hole in lower right corner; sl. soiled.

- Laid down on modern mount. = With an attribution on verso to Ingres in pencil.

- Sl. soiled and worn; small hole in left margin.

= Inez van Dullemen: "Over de grond verspreid in de onttakelde kamer liggen mijn moeders portretten door Isaac Israels geschilderd. Vijfvoudig staart ze mij aan van de vloer: wulps met ontblote schouder, hooghartig ongenaakbaar met fijne beringde vingers op een boek ( ..) moederlijk met een kind in de armen, fragiel in een boomgaardje: de jonge romanciere, en ten slotte een door de tijd aangetaste tekening.. .' (Vroeger is dood (1992), p. 28). Provenance: the collection of Jo van Dullemen- de Wit. SEE ILLUSTRATION PLATE CVI.

- Browned; tipped onto mount.

= With a 19th century attribution "Kerkhof" in pen and ink on mount. SEE ILLUSTRATION PLATE CVI.

- One drawing with tear in upper part.

= From the collection of C.P. van Eeghen (1880-1968) with his collector's mark (Lugt 6016) on verso; by descent from the latter to present owners.

- Yellowed; a few vague foxed spots.

= With the collector's mark of Albert van Loock on verso (Lugt 3751). Composition in the style of Nicolaes Berchem.

- Sl. yellowed and some craquelé.

= From the collections of i.a. Henry Scipio Reitlingen w. his collector's stamp in lower left corner (Lugt 2774a), Alister Mathews and Ralph Holland. SEE ILLUSTRATION PLATE CVII.

- Sl. foxed; tiny tear in left margin just affecting the image.

= With on verso the central part of a large pen and black ink drawing, showing a fisherman and a mill in a Dutch village. The Amsterdam city archive holds a drawing with the exact same composition. Perhaps copied by the artist himself.

- Sl. foxed and yellowed.

= From the collection of C.P. van Eeghen (1880-1968) with his collector's mark (Lugt 6016) on verso, by descent to the present owners. SEE ILLUSTRATION PLATE CVII.

= Willem Frederik Wehmeyer made an engraving with a very similar composition, probably after this drawing (or related painting) (cf. the copy in the Rijksmuseum, RP-P-1938-1229).

= Scene from the Bible book of Kings. With the engraving after the drawing from Historiae Celebriores Veteris Testamenti (Neurenberg, Christoph WEIGEL, 1708) (Van Eeghen 3581, no.116). From the collection of C.P. van Eeghen with his collector's mark (Lugt 6016) on verso, by descent to the present owners.

= Design for the print (supplied with the drawing) in: Lambert VAN DEN BOSCH, Treur-toonneel der doorluchtige mannen, of op- en ondergang der Grooten, Vertoont in de Rampzalige Geschiedenissen van Keyzers, Koningen, Prinsen, Vorsten (...) (Amst., 1698, 24 plates by Jan Luiken). From the collection of C.P. van Eeghen (1880-1968) with his collector's mark on verso (Lugt 6016). SEE ILLUSTRATION PLATE CVII.

= Design for the print (supplied with the drawing) in: Lambert VAN DEN BOSCH, Treur-toonneel der doorluchtige mannen, of op- en ondergang der Grooten, Vertoont in de Rampzalige Geschiedenissen van Keyzers, Koningen, Prinsen, Vorsten (...) (Amst., 1698, 24 plates by Jan Luiken). From the collection of C.P. van Eeghen (1880-1968) with his collector's mark on verso (Lugt 6016). SEE ILLUSTRATION PLATE CVIII.