5059 - 5327 FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
= Probably French or Belgian. With an unidentified collector's mark (Lugt 4438) on verso.
Visser, Christiaan Pieter (1825-1894). (The hanging bridge below the Monte dei Cappuccini, Turin). Drawing, pen, brush and black and brown ink, 25,5x34 cm., signed and "Hoorn 1893".
- Some foxing; pinholes in upper left corner.
= In the style of Isaac Israels or George Breitner.
Anonymous (late 19th/ early 20th cent.) (Forest path). Drawing, black chalk, 44,4x29 cm., "Apeldoorn" (?). - AND 18 others drawings, all but one landscapes, i.a. by Jan POORTENAAR, Frans SMISSAERT and Ernst BÜTTINGHAUSEN.
AND 1 other drawing of a seated bearded man, black chalk (according to the owners, attributed to Nicolaas VAN DER WAAY).
= From the collection of C.P. van Eeghen (1880-1968).
- Soiled. = Probably for a Dutch family.
= Attractive drawing of a probably never built villa by Willem Hendrik Kam, an architect who was active in the surroundings of Amersfoort.
AND an 18th cent. schematic architectural drawing of a Dutch house with a bell gable (50x33,7 cm. A few sm. spots and one stain in lower blank margin. With on (sl. stained) verso several smaller drawings of details of a staircase).
- Varnish sl. browned; some craquelure.
- With 3 unobtrusive closed tears.
= With an annotation on mount on verso: "Sleeuwijk 6-20 Januari 1906".
- Some heavy craquelé. = SEE ILLUSTRATION PLATE XCIX.
- Closed tears in upper margin; trifle foxed; a few handling creases in lower corners.
= Impressive drawing.
= Originally part of a group of 11 marine drawings. Provenance: J.H. Jurriaanse (1866-1940) with his collector's mark (Lugt 1403b) on verso, C.P. van Eeghen (1880-1968) with his mark (Lugt 6016) on verso, by descent from the latter to the present owners.
- Sl. yellowed.
= Copy after one of the two views of the Herengracht by De Beijer, both in the collection of the Rijksmuseum; this one after the view seen from the side with odd numbers.
= With several small differences in comparison to the printed ex libris. Especially the lines in the hair are still present in this drawing, as well as the eyelid of the left eye and the shading on the helmet. Also some marks by the artist to show where corrections are needed, i.a. in the lettering of the Latin motto ("Vade").
- A few foxed spots/ (closed) wormholes; some vague creases. Doubled w. laid paper with a garden of Holland watermark.
= SEE ILLUSTRATION PLATE C.
- Trifle foxed.
= With on recto the collector's mark of Henri Ledoux (Lugt 4052) and on verso of Neville Davison Goldsmid (Lugt 1962) and William Pitcairn Knowles (Lugt 2643).
- Some superficial dam. spots near upper left corner; horizontal dent in the panel visible in the image over the entire width; varnish yellowed.
= SEE ILLUSTRATION PLATE C.
- Edges sl. frayed/ closed sm. tears; a few pinholes in the corners.
= From the collection of C.P. van Eeghen (1880-1968) (his collector's mark on verso, Lugt 6016), by descent to the present owners.